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Der Eissturm [dt./OV]. (3)1h 53min Ang Lee breitet eine Purchase rights: Stream instantly Details. Format: Prime Video (streaming online video). Der Eissturm jetzt legal streamen. Hier findest du einen Überblick aller Anbieter, bei denen du Der Eissturm online schauen kannst. Komplette Handlung und Informationen zu Der Eissturm. In seinem neuen Film zeichnet Regisseur Ang Lee (Sinn und Sinnlichkeit) ein Bild der amerikanischen​. Während an der Ostküste ein schwerer Eissturm aufzieht, geraten auch die Hoods in heftige Turbulenzen. Elena hat Ben wegen seines Seitensprungs zur Rede. Der Eissturm jetzt legal online anschauen. Der Film ist aktuell bei Amazon, Sky Ticket, Sky Go, iTunes verfügbar. New Canaan, Connecticut, USA im November.

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Der Eissturm. Meisterregisseur Ang Lee ('Sinn und Sinnlich-keit³) verfilmte einen Kultroman über Angst und Kälte in den 70ern. Bewertung. Gibt es Der Eissturm auf Netflix, Amazon, Sky Ticket, iTunes oder Maxdome und co legal? Jetzt online Stream finden! Während an der Ostküste ein schwerer Eissturm aufzieht, geraten auch die Hoods in heftige Turbulenzen. Elena hat Ben wegen seines Seitensprungs zur Rede. Gibt es Der Eissturm auf Netflix, Amazon, Sky Ticket, iTunes oder Maxdome und co legal? Jetzt online Stream finden! Der Eissturm. Meisterregisseur Ang Lee ('Sinn und Sinnlich-keit³) verfilmte einen Kultroman über Angst und Kälte in den 70ern. Bewertung. Der Eissturm (The Ice Storm): Drama/Tragikomödie von James Schamus/​Ang Lee mit Elijah Wood/Christina Ricci/Sigourney Weaver. Jetzt im Kino. November Watergate wirft seine Schatten voraus; die Beatles nehmen Soloalben auf, in den Suburbs zirkuliert die Idee des Partnertausches. Am Tag. Streaming Der Eissturm () Ganzer Film. Der Eissturm Schauen Der Eissturm On-line Streaming ++⬇▷️ Frei Der Eissturm Stream.

Available on Amazon. Added to Watchlist. From metacritic. Everything New on Hulu in June. For Consideration.

Unknown great movies. Top Movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin. For which movie Sigourney Weaver should've received an Oscar?

Coldest movie ever? Nominated for 1 Golden Globe. Edit Cast Cast overview, first billed only: Kevin Kline Ben Hood Joan Allen Elena Hood Sigourney Weaver Janey Carver Henry Czerny George Clair Tobey Maguire Paul Hood Christina Ricci Wendy Hood Elijah Wood Mikey Carver Adam Hann-Byrd Sandy Carver David Krumholtz Francis Davenport Jamey Sheridan Jim Carver Kate Burton Dorothy Franklin William Cain Ted Shackley Michael Cumpsty Philip Edwards Maia Danziger Gadd Katie Holmes Learn more More Like This.

The Wedding Banquet Comedy Drama Romance. Ride with the Devil I Drama Romance War. Pushing Hands Comedy Drama. All the while, Master Chu tries to find his place in the foreign American world.

Eat Drink Man Woman Taking Woodstock Biography Comedy Drama. Lust, Caution Drama History Romance. Crouching Tiger, Hidden Dragon Action Adventure Fantasy.

Sense and Sensibility Drama Romance. Lone Star Drama Mystery. The Sweet Hereafter Short Cuts The day-to-day lives of several suburban Los Angeles residents.

The Spanish Prisoner Drama Mystery Thriller. Edit Storyline During the Thanksgiving weekend, the Hoods are - relationship-wise, skidding out-of-control, isolated from each other; Benjamin reels from drink-to-drink, His wife, Elena's losing patience with Ben's incessant lies.

Taglines: The American Dream was over. But the hangover was just beginning. Genres: Drama. Edit Did You Know? Trivia To prepare for the film, Ang Lee let the cast members study stacks of magazine cutouts from the early s.

Goofs Mikey's watch at his parents' dinner party. Quotes [ first lines ] Train Conductor : Good morning ladies and gentlemen.

Next stop will be New Canaan, Connecticut. New Canaan, Connecticut next stop. Paul Hood : [ narration ] In issue of the Fantastic Four, published in November, , Reed Richards had to use his anti-matter weapon on his own son, who Aannihilus has turn into the Human Atom Bomb.

It was a typical predicament for the Fantastic Four, because they weren't like other superheroes.

Was this review helpful to you? Yes No Report this. Add the first question. Country: USA. Language: English. Runtime: min.

Every person in the book is consumed with sex. At first it was provocative, and then it was tragic, and then it just got. It was a good try, and it wasn't a bad read, but the tragic beauty Moody was going for got lost in the details.

Beautifully written. Punchy and witty. The end had a surprising twist I wasn't expecting! Feb 05, M. Marvel Comics never interested me.

Nor did the funny pages of the newspaper. But Rick Moody obviously likes comic books and superheroes and uses them to populate an otherwise engaging book about self-realization, sexual experimentation, coming of age, and marital infidelity.

Not to mention a host of other notable topics in music, film, and politics from the year Until recently he had believed that the elderly were born that way, unlucky.

Now he knew how effortless that transformation was… The primary focus is on each individual member of the Hood family.

Husband Ben, spouse Elena, daughter Wendy, and son Paul. The reader enters the mind of each of these characters and the text shifts back and forth among all four throughout the entire book.

It works, but not without a bit of irritation with the writer Moody for using this G-d method. Ice, of course, is frozen water and there seemed to be no end to its erosive characteristics.

Storms do eventually end and repairs are made. And some destruction cannot be avoided. This was a favorite when I first read it at around age I responded to its cynical view of American suburban life and this dissolution of the nuclear family.

I admired its wry take on consumerism and the soulless pop culture of its era, the early s, and its rhetoric influenced a wannabe subversive undergrad pretentiousness that I didn't shake until well into adulthood.

In a similar way, its unorthodox stylistic features and narrative structure informed my own half-assed attempts at being This was a favorite when I first read it at around age In a similar way, its unorthodox stylistic features and narrative structure informed my own half-assed attempts at being a writer in the mid-to-late 90s.

Returning to the book at age 40, I'm less sure of its greatness even if I still have a positive response to it. I'm willing to keep the five star rating out of nostalgia and personal connection even if I can acknowledge that I wouldn't have rated it so highly if I'd read it now for the first time.

The style can be a little tedious. Those long laundry lists of 70s pop culture expressed as a series of sentence fragment noun phrases.

The flat characterization. The deus ex machina plot resolution. The utter cynicism. It all adds up something intriguing but less than transcendent.

I hope people will still discover the book at age 20 and try on a smug, nihilistic worldview for a few years, and, for that possibility alone, I'm glad to have read it and returned to it twenty years later.

What I love about this book is its unsentimental view of suburban turmoil and discontent--that phrase "all is not what it seems" I love to see played out in literature so much.

One immediate difference with Moody's story though, is that he offers What I love about this book is its unsentimental view of suburban turmoil and discontent--that phrase "all is not what it seems" I love to see played out in literature so much.

One immediate difference with Moody's story though, is that he offers the point of view of the equally complicated children in these families, giving a fresh new dimension to an otherwise old tale.

Sometimes humorous, sometimes sad, but painfully accurate. All in all, I gotta say I'm disappointed. That's why I'm giving this book such a mediocre review- something I rarely do for books.

I love how it dealt with these "slice of life" moments in the lives of these four family members, and how they coalesced around their indescretions with a neighbor family.

Paul, the son who was least involved in this inter-familial deceit he lived at boarding school and spent the majority of the book at a friend's apartment far away in New York All in all, I gotta say I'm disappointed.

Paul, the son who was least involved in this inter-familial deceit he lived at boarding school and spent the majority of the book at a friend's apartment far away in New York, was the obvious choice for narrator.

I like how they did it in the movie- Paul's fleeting but poigniant overtures to the plot progression, plus the crispness and unspokenness of the action.

It's just such a beautiful, compelling look into the life of this family without hitting you over the head with "what it all means" or "what's coming next.

Paragraphs upon paragraphs of dialogue- even the truncuated sentences were too rambly and unbelievable.

Way too much stream-of-consciousness and breaking away from the plot to reminsce over the Conneticut landscape from the train or disjointed childhood memories thta I had to ask myself, continuously, what's important here?

And why should I care? Which is shocking enough in itself since, as a writer, I am usually far more interested in character development than plot!

But the characters themselves were similarly hollow. The whole book kinda read as a rambly encyclopedia for s culture, and the Hoods were mere outcroppings of popular trends.

They barely had distinctive voices at all. Paul and Wendy, the brother and sister, had nearly identical sexual experiences down to the specifics of what acts they performed on which gender.

Each of them came equipped with these trivia deviations- paragraphs thrown into their narratives as if Moody was writing a poorly-constructed essay on counterculture, whether it was about the Paul's heroes, the Fantastic Four, Wendy's favorite television programs, or Elena's psychology book finds.

There were occasional moments of insight within all of the hubris, plus my love for the movie characters that make me give the book props.

I also am an advocate for exploring sexual themes in books- but they should be beliveable. People may be influenced by the culture of the day, absolutely, but ultimately, their choices should be their own, and not read like some sort of sterilized "example" of whatever theme the author is trying to prove.

Maybe this book is too long. Maybe the other reviewers are correct that Rick Moody's scrupulous attention to 70s pop culture overwhelms his ability to tell a good story.

Maybe I know, and like, Ang Lee's movie adaptation too well. Whatever the case, my mind wandered an awful lot while I was trying to read The Ice Storm , a book I first admired but didn't like and then didn't admire or like all that much.

Three of my wandering thoughts: 1. The Ice Storm tells the story of a typical day in the life o Maybe this book is too long.

The Ice Storm tells the story of a typical day in the life of Panem's capitol city. Recently, I read Catching Fire , which depicts scenes of the same kind of extravagance and immorality that drives the characters in this book.

Only, there isn't a Katniss to critique and seek revenge. There are only clueless, self-destructive, privileged people in tasteless clothes.

I wasn't prepared for the sex. Seriously, there is a lot of it, it is graphic, and it is between adults only about half of the time.

The book is supposed to satirize icy suburbanites, so I guess the fact that they all have terrible, embarrassing, violent sex never with their own partners is a reminder of the cultivated class's inability to form or enjoy human relationships.

On one hand, I think Moody could have made this point without so many references to thirteen-year-old Wendy's vagina and pubic hair.

On the other, I appreciated some of the vintage terminology. Kevin Kline is a lot better-looking than Benjamin Hood is supposed to be.

More broadly, I think the adult characters are warmer, more relatable and rounded, in the movie. Here is maybe the problem with all the pop cultural references and the pages and pages of dry Fantastic Four summary.

The movie cuts a lot of that out, and Kline, Joan Allen, and Sigourney Weaver are better actors than Moody's characters deserve.

In the last chapter, the author shares a few revelations. One of these is that the books' characters are as bound to history and helpless in its wake as are the people at the "front" of history, like Nixon.

This is fairly banal as last-act revelations go, but it lets us know that Moody has aspired to write a book in the vein of, say, Doctorow's Ragtime that interprets history by combining fictional and nonfictional characters.

He doesn't exactly fail at this, but he is more interested in white U. American pop culture than what I would call "history", and, like I said, my mind wandered Nov 14, R.

A strange beast: it's Rabbit Angstrom fanfiction. Was overly creeped out by the key party scene. A solid 4. I read this book after developing a feverous obsession with Ang Lee's film adaptation, and was engulfed by this novel as quickly and completely as the film.

Moody's prose is readable, personal, humorous and unrelenting, propelling you deeper and deeper in the lives and minds of two suburban families in The novel aches almost from the get go, eventually crescendoing into a poised but agonizing wail of pain.

Tho A solid 4. Those looking for a quick, tragic read will have that urge thoroughly satisfied with this novel.

I don't recall actually reading this but I know that I watched the movie and that I used to live with a copy of this book back when I was actually reading books like all teh time so I'm pretty sure I read it but cannot recall anything, in part because if I actually did read this book, I did not realize that I had seen the film adaptation until much much later, it being one of those sorts of movies one watched in secret.

Loved every word. Had no idea Moody was this good. Will be reading more of him. Very jealous of his talent. With its pristine, white picket fence image and sometimes hellacious underbelly, the suburban lifestyle easily lends itself to ridicule.

These mediums have followed and even help set a common contention in the Uni With its pristine, white picket fence image and sometimes hellacious underbelly, the suburban lifestyle easily lends itself to ridicule.

These mediums have followed and even help set a common contention in the United States that the suburbs are filled with secretive, deceitful, sexually repressed people who strive to appear that they are more put together than everyone else around them.

With cleverly crafted bluntness, Moody wastes no time in knocking down the gates of the white picket fence mentality of the Hoods.

The book is narrated by Paul, an awkward, sexually frustrated young man on the cusp of adulthood who is away at school while his family is melting down, but his viewpoint is just one of four similar voices that Moody uses to tell this suburban tale.

These characters are emotionally damaged from the get-go, as they are all presented overwhelmingly lonely in a culture where feelings are made to be suppressed and people are forced to put on smiles.

Despite Ben and Paul being perverts, Moody is able to turn them into sympathetic figures. There is true sorrow witnessing the members of the Hood family drowning as they pretend to lead a normal life in a judgmental neighborhood.

Moody creates a deflating picture of the family through his vibrant imagery. Moody carefully navigates his way through the story, frequently using foreshadowing to allude to impending doom for the Hoods and Williamses as a blizzard metaphorical and literal approaches.

It was a moment in the story that Moody admits, was hard to craft, but eventually propelled Moody into becoming a more complete writer.

In some ways Moody is obvious in his writing and in others he is discrete. But Moody must be commended for the tone of his novel.

His narration of the book is bittersweet as he blasts the unfortunate souls of suburbia for their pretentiousness, but he also shows pity on two families who were led down the wrong path by a standard that society set for them.

A popular home for wealthy commuting New Yorkers since the advent of the railroad in , its population more than doubled between and from 8, to 17, as a result of its position at the centre of the modern architectural design movement from the late s to the s when a group of Havard students moved to the town and built around 80 to modern homes.

Other famous architects including Frank Lloyd Wright also built houses in the town. The Ice Storm is set following that population boom in and focuses on two suburban middle-class families typical of the time and place, with lengthy descriptions of their New Canaan modern homes replete with cornerless plastic furniture, high fidelity sound systems and water-beds.

Today the town is one of the most affluent communities in the United States in New Canaan was ranked first in the nation with the highest median family income.

The town has also served as a popular shooting location for New England-set films, with the adaptations of Revolutionary Road, Stepford Wives and The Ice Storm which shows several of the modern homes of the period inside and out all being at least partly shot in New Canaan.

I haven't seen the film in a long while and whilst I remember admiring it I can definitely say I enjoyed the book more.

This is obviously something that would have been very hard to transfer to film, not being able to enter the thoughts of the characters though some voice-over narration is used , and as a result Ang Lee clearly decided to play up the more sombre, melodramatic and tragic elements of the plot.

Text taken from my aborted project to read 50 books set in 50 states in 50 weeks. Apr 03, judy-b. Not until I saw the movie, when I had a little better understanding of the world, did I feel the depth of the social commentary.

The first time, these characters were vivid, because they are so pointedly depicted, but not real.

Much like Madame Bovary exists in another dimension of time and context, so did these characters, because when I first read it I was too young and too working class.

The '70s disturbed me. I was in primary school, and I felt the tension of the sexual revolution without realizing it, through two extremes: one one end, my parents' disapproval of social liberalism—they were staunch Democrats but disapproved of pretty much the whole culture and society, excepting Walter Cronkite and Lawrence Welk—and on the other, the neighbors whose parents had a waterbed, a mirrored ceiling, and pictures from Playboy and Playgirl on the walls, which both intrigued and confused me.

My parents' fear and resentment plus the TV news of war and terrorism and economic recession plus the soundtrack of that time, which for me is epitomized in The Doors, plus my family's unique dysfunction, made for a profound unsettlement within me that somehow came into clearer focus when I re-read this book.

When I was a kid, I thought that if my family had money, or if my parents weren't so authoritarian and restrictive, we would be happier.

One of the lessons of this book is that no, we'd just have been unhappy in a different way.

Blindly following someone else's mores—no matter what they are—is a path to ruin. I have always loved Rick Moody's sentences, and there were places in the Ice Storm that I realize still resonate in my own crafting of lines.

That was wild to see. I knew the Ring of Brightest Angels in Heaven had deeply affected me, because I read it at a time when it spoke to and for a darkness I felt within; I felt a kinship with the author, and when I read Demonology, I felt a hope for myself, that I might also make something bright of my shadows.

It was a treat to revisit this novel and see a certain path I took through his work and how that, in some way, has guided me in mine.

I've had this one on my to-read shelf for over five years - the story of a single New England night in in which an ice storm descends and changes the lives of a group of mixed-up humans doing their best to make a go of it.

Now just to be clear - it isn't all about the storm. The storm just comes along and weaves its way through the plot.

Think, perhaps, of the rain of frogs in Magnolia, as a comparison. I didn't make a firm count, but I think we spend time with roughly six characters during I've had this one on my to-read shelf for over five years - the story of a single New England night in in which an ice storm descends and changes the lives of a group of mixed-up humans doing their best to make a go of it.

I didn't make a firm count, but I think we spend time with roughly six characters during the novel, whom Moody presents to us cloaked in a wise omniscient narrative voice.

With this narration, I was reminded of Ann Patchett's Commonwealth, and also, strangely, of George Elliot's books - she was a big proponent of that "eye of God" looking bemusedly over her characters.

The Ice Storm finds some middle ground between humor and drama, which is, I think, where most of life takes place.

I enjoyed the story a good bit - liked the tapestry of characters, the messiness of their lives and their desires.

There's a great deal of sexual activity and sexual thinking - much of it quite unique and interesting. Wendy was my favorite character - as complex a young woman as I've ever run across in literature.

You never hear about this book being mentioned as anything special - like "classic" special, and I'm really not sure why - what it is about the writing that holds it back from packing more power or staying with us as readers - and I guess I come back to that narrative voice, which is the heart of the prose, but conversely, holds it back in some way from conveying the emotion of the characters more potently.

Or perhaps too many cultural references? I don't know - we Americans are pretty culture-obsessed, so I couldn't tell after a while.

All that being said, there are some brilliant passages that I wish I could share a few of here, but they involve a particular plot point that needs to remain hidden.

Since when do parents leave their teenage children unsupervised at home so they can go out drunk driving in an ice storm?

Why would someone host a neighborhood-wide swingers' party on a Thanksgiving weekend? None of this story makes sense!

Moody pushes and pulls characters along bizarrely configured subplots, just to have them in the right place at the right time to converge into an overkill of an ending.

The Ang Lee film, adapted from this, is better, though the wind Since when do parents leave their teenage children unsupervised at home so they can go out drunk driving in an ice storm?

The Ang Lee film, adapted from this, is better, though the wind flute soundtrack feels out-of-character, and why don't they defrost their cars—again— during an ice storm?

In any case, now I know from where P. Anderson got the basic structure for Magnolia , which came out five years after the novel and two years after the movie.

Who would have thought that such a shitty novel could be so influential? Moody is more interested in waxing poetic sometimes "poetic" than letting his characters speak and think for themselves.

Consequently, we don't care about them very much. They aren't allowed to be real in the reader's mind. Moody is always present as an intermediary.

And his contempt - for these characters, for their suburban milieu - is exhausting stuff. There isn't much action in The Ice Storm but there is plenty of unseemly poring over shameful sex and the ruins of sad, failed lives.

Abando Moody is more interested in waxing poetic sometimes "poetic" than letting his characters speak and think for themselves.

Abandoned on page The s are now characterized as an era when idealism died. The dream of the hippies hadn't panned out, Nixon tried everyone's trust and patriotism, and relationships were more strained than ever.

This book focuses on mainly on two neighboring families during the titular ice storm. Ben is having an affair with Janey; Ben's daughter Wendy is exploring her sexuality with both of Janey's sons; and then there is a "key party" to set things into chaos even further.

On a late November weekend in , a snow and ice storm hit an affluent community in Connecticut. The storm, as well as the cultural changes taking place in America, make life difficult for people to navigate.

From the White House, Nixon lies to the people. The moral compass of the country swings wildly. People lose their innocence in the confusion and chaos as they hold secrets, betray others, and destroy relationships.

The Ice Storm is a darkly comic story of the politics and sexual revolutio On a late November weekend in , a snow and ice storm hit an affluent community in Connecticut.

The Ice Storm is a darkly comic story of the politics and sexual revolution of the early 70s told from the perspective of four members from two families, the Hoods and Williamses.

Ben Hood is having an affair with his neighbor, Janey, the wife of Jim Williams, while his own wife, Elena, feels lonely and alienated and his daughter, Wendy, explores her awakening sexuality with males and females, including Mikey and Sandy, sons Jim and Janey Hood.

As the temperature drops outside and the storm comes to a climax, the two families fall apart. While the themes of the novel are interesting, the execution of them left me cold.

While I chuckled at some of the references to the early 70s the clothes, television shows, and so forth these were often presented in such long lists that a reader who did not experience the 70s would feel lost or bored.

In fact, at times I felt like the author was trying to reach a pre-set word count. Worse, however, was that I did not care about the characters.

They were spoiled, self-centered, unaware, and quite frankly, boring. I did not like them, nor did I feel sympathy for them as they faced a tragedy and fell apart.

In the end, I felt as empty of care as did the characters themselves. Had the author created interesting and well-rounded characters who were not so empty, and had he deleted several pages worth of references, I might have thought the novel worth reading.

However, Rick Moody did not write such a book. I dunno. I kept finding myself skimming. Then I'd go back and read what I'd skipped, and realize I hadn't missed anything.

Someone else gave this an example of Moody's amazing prose style, but when I read it I was like, whaaat: "The sheer, white drapes in the guest room were limp as the bangs of a sad schoolgirl.

Why does the schoolgirl need to be sad? Schoolgirls I dunno. Schoolgirls of any emotional state can have limp bangs.

Why load so many straight descriptive adjectives upfront when you're going to end on a simile? There are no discussion topics on this book yet.

Readers also enjoyed. Literary Fiction. About Rick Moody. Rick Moody. Rick Moody born Hiram Frederick Moody, III on October 18, , New York City , is an American novelist and short story writer best known for The Ice Storm , a chronicle of the dissolution of two suburban Connecticut families over Thanksgiving weekend in , which brought widespread acclaim, and became a bestseller; it was later made into a feature film.

Books by Rick Moody. We all want to spend more time lost in the pages of great books. That's the idea behind our annual Goodreads Reading Challenge!

It's simpl Read more Trivia About The Ice Storm. No trivia or quizzes yet.

With the background for the movie being the Nixon Watergate scandal, the corruption is portrayed as extending all the way into the American Home through a short glimpse into the lives of two families: The Hoods and the Carvers.

Both families have two children Carvers: two sons, Hoods: one son, one daughter , and appear perfectly normal and supportive at first glance.

However, through a series of common experiences, and through the way the families struggle to communicate both within and with one another, it becomes clear there are deeply rooted problems.

Director Lee uses the children to exemplify the failures of the parents, and their mistakes reflect heavily and harshly on the adults in their lives.

The adults also make their own mistakes, and these are depicted as far worse - for as adults, they should know better. Their struggles in dealing with their children are at times almost comical, and show their lack of proper parenting skills.

As a criticism, this structure is flawless, comprehensive, and unrelenting throughout. Except for a few fleeting scenes, the irresponsibility of the adults dominates the screen.

Of course, all these events are building up to a climax of epic proportions. The saying, "a stitch in time saves nine," comes to mind when discussing this movie.

Had any of the adults taken the proper steps of good parenting anywhere along the way, the events that unfold would not have occurred.

Like the failed parenting of the adults, however, it's too little, too late. Bad parenting, selfishness, lavishness, sexual promiscuity, greed, lack of communication, and foolishness lead these adults to make mistakes within their lives, the lives of their children, and the lives of their friends.

And come the closing credits of this incredibly well directed, well acted film, they are the ones left to pick up the pieces.

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In suburban New Canaan, Connecticut, , middle class families experimenting with casual sex and substance abuse find their lives beyond their control.

Director: Ang Lee. Writers: Rick Moody based upon the novel by , James Schamus screenplay by. Available on Amazon. Added to Watchlist.

From metacritic. Everything New on Hulu in June. For Consideration. Unknown great movies. Top Movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

For which movie Sigourney Weaver should've received an Oscar? Coldest movie ever? Nominated for 1 Golden Globe.

Edit Cast Cast overview, first billed only: Kevin Kline Ben Hood Joan Allen Elena Hood Sigourney Weaver Janey Carver Henry Czerny George Clair Tobey Maguire Paul Hood Christina Ricci Wendy Hood Elijah Wood Mikey Carver Adam Hann-Byrd Sandy Carver David Krumholtz Francis Davenport Jamey Sheridan Jim Carver Kate Burton Dorothy Franklin William Cain Ted Shackley Michael Cumpsty Philip Edwards Maia Danziger Gadd Katie Holmes Learn more More Like This.

The Wedding Banquet Comedy Drama Romance. Ride with the Devil I Drama Romance War. The mix of pop culture and emotional violence brings home the general atmosphere of a society disillusioned by Nixon, and turned on by the sexual revolution.

By the end, Moody's tone has turned alternately mournful and stern. The adults are three dimensional, and all too human, but Moody does not let them off the hook for their bad behavior.

The characters are adrift without a moral compass as the Watergate scandal drones on in the background. However, Moody still makes the characters sympathetic, precisely because they are all too human.

You were stuck. Let's play Literary Key Party! Here's how it goes: everyone plays an author, and then you pick another author's keys and you have to write your story in their style!

For example, if I'm John Fowles and I end up with Jane Austen's keys, I might say It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a young lady to lock in his basement.

You do your thing. It's the laziest way to divide into two groups but, like Which, honestly, this is sortof the problem with key parties in general.

In our immediate circle is one gay couple and they're always so bored. The rest of us are fine with it - you have no idea how attractive they both are, it's ridiculous - but that doesn't really help them much.

Anyway, so have fun with that game at your next weird sex party; it will probably make it more fun than this book, in which not a lot happens.

For a book entirely about sex, there's not a lot of sex here. There's a lot of almost-sex. People imagine doing perverse things to each other - they try to do them - but very little gets accomplished.

Which, as Cecily points out below, is valid - especially for the adolescent characters, because I can clearly remember that my ratio of imagined to real sex acts in adolescence was about infinity to one - but the thing is that I had sort of the same feeling about the book.

It seems to take itself seriously, but I'm not sure it really added up to much. It's totally possible to write a book in which not much happens: see Remains of the Day, in which "Nothing happens" is the actual plot, or for that matter Hamlet.

Those are both brilliant works. But I don't feel like Moody really pulls it off. I finished it and I was like View all 30 comments.

The Ice Storm was, oftentimes, an incredibly difficult read. Not in terms of structure or writing-style--Moody's writing was often sharp-intake-of-breath-beautiful: "The sheer, white drapes in the guest room were limp as the bangs of a sad schoolgirl" 5 or "Once his dreams had been songs.

He'd been a balladeer of promise and opportunity" 6 but in the affect it had on me, the reader. Many of the scenes in the book were discomfiting, disturbing, heavily focused on sex acts, and the wo 3.

Many of the scenes in the book were discomfiting, disturbing, heavily focused on sex acts, and the workings of the male genitalia which, come to think of it, makes a great deal of sense by book's end, when the identity of the narrator is revealed.

The characters in this book are fucked up and they, in their small way--and in the course of one Thanksgiving weekend--mirror the fucked up-ness of s America The narrator takes breaks in the story to interject rambling lists of s goings-on and trends.

At first, I thought this was mildly annoying, like "I GET IT, it's , you don't have to tell me about the shag carpeting and the rainbow toe-socks and the bottle of Summer's Eve inconspicuously shelved in the bathroom".

But then I got it--the narrator wasn't beating a s kitsch horse over the head, but rather showing how the characters in The Ice Storm have surrounded themselves with essentially meaningless stuff.

Stuff that doesn't provide an answer to any of life's big questions or fulfill deep and, as is often the case with these characters, unacknowledged or, if acknowledged, disparaged need.

The ice storm is the perfect ruse, the perfect metaphor. The storm and with it the fate of these characters moves towards an inevitable, terrible end.

Like the ice-encased trees and power-lines, like the abandoned cars, these characters are stuck. And, as the narrator so artfully implies, they always will be: "History's surveillance was subtle and enduring and its circular shape caught the Hoods, the Nixons, and everyone else.

You could pay Arthur Janov to teach you to scream about history, or you could learn prayer, or a mantra, or you could write your life down and hope to make peace with it, write it down, or paint it, or turn it into improvisational theater, but that was the best you could probably do.

You were stuck". It's well written and flows like a wonder, but it is one of those books in which nothing really happens even when people die and everyone is a complete asshole, and if you are looking for one of those, by all means read Franzen's 21st century novels - they are, at least, quite dope - or John Updike's Rabbit novels before turning to this one.

The condescending way in which this book deals with comic books also felt less than super to me, but other people read that quite differently.

I saw the Ang Lee adaptation of this book a few years back and so was curious about Moody's novel.

While the movie was stylized and Twin Peak-ish, it was a tad boring. The novel, on the other hand, was a page turner.

Set during a single hour period in New Canaan Connecticut, , Moody gives us an accurate lay of the land with all the products, projects, and preoccupations of the beginning of Watergate and the end of Viet Nam.

I'm the same age as two of the teens in the book, Wendy and Sandy, I saw the Ang Lee adaptation of this book a few years back and so was curious about Moody's novel.

I'm the same age as two of the teens in the book, Wendy and Sandy, and can say with authority that Moody captures the era perfectly. One aspect that startled me a bit was the recollection of life before the microchip and its progeny.

That time before smartphones, social media, and the long-tail economics of the internet. In fact, the only real technology in the home was the telephone, the television, and the stereo vinyl, 8 track, and reel-to-reel for the audiophiles.

Lacking answering machines, telephones rang and rang in empty homes until the caller eventually hung up, not knowing the whereabouts of the callee and not being able to do anything about it until the person surfaced again from however far away they were from the phone.

There is something fundamentally different about a world where communication is uncertain and subject to chance.

In this current era, it's nearly impossible to hide, and few, if any, try to avoid the flow of information, connected as they are to their various feeds from email, facebook, and twitter.

In , there were no tweets from Kanye that needed attending to, and the world was a more mysterious, random, and possibly more authentic place - an analog world.

Moody gives us this world wrapped up in the metaphoric coating of an ice storm. Highly recommended! View all 3 comments. I'm not sure what I think about this book.

On one hand, Moody has a spellbinding quality about his writing. His voice is quite unique, and from a purely linquistic and literary perspective I found the book quite appealing.

Also, I'm always attracted to writers who write about real, unattractive, unwholesome, unheroic people, and I usually enjoy works that are trying to expose the dark underbelly of society.

On the other hand the story seems, I don't know, contrived maybe. I appreciate his commen I'm not sure what I think about this book.

I appreciate his commentary on what modern American life has done to the family, and how completely at odds the two are.

I get the thesis on the general sense of disappointment that so many people live in. I understand how marriages are being pulled apart by a culture in which most of your value as a human being is defined by your occupation outside the home.

I remember how hard puberty was, with all the awkwardness and self-doubt, and horniness, and self-loathing, and all of that.

I understand that our culture is over-sexed. I just am not sure the story here is big enough to hold all of Moody's ideas.

None of the characters ever completely feel real to me. They give it their best college try, but they just can't quite realize this grand commentary Moody is going for.

Probably because they're spending so much of their time thinking about sex. All of them. Every person in the book is consumed with sex.

At first it was provocative, and then it was tragic, and then it just got. It was a good try, and it wasn't a bad read, but the tragic beauty Moody was going for got lost in the details.

Beautifully written. Punchy and witty. The end had a surprising twist I wasn't expecting! Feb 05, M. Marvel Comics never interested me.

Nor did the funny pages of the newspaper. But Rick Moody obviously likes comic books and superheroes and uses them to populate an otherwise engaging book about self-realization, sexual experimentation, coming of age, and marital infidelity.

Not to mention a host of other notable topics in music, film, and politics from the year Until recently he had believed that the elderly were born that way, unlucky.

Now he knew how effortless that transformation was… The primary focus is on each individual member of the Hood family. Husband Ben, spouse Elena, daughter Wendy, and son Paul.

The reader enters the mind of each of these characters and the text shifts back and forth among all four throughout the entire book.

It works, but not without a bit of irritation with the writer Moody for using this G-d method. Ice, of course, is frozen water and there seemed to be no end to its erosive characteristics.

Storms do eventually end and repairs are made. And some destruction cannot be avoided. This was a favorite when I first read it at around age I responded to its cynical view of American suburban life and this dissolution of the nuclear family.

I admired its wry take on consumerism and the soulless pop culture of its era, the early s, and its rhetoric influenced a wannabe subversive undergrad pretentiousness that I didn't shake until well into adulthood.

In a similar way, its unorthodox stylistic features and narrative structure informed my own half-assed attempts at being This was a favorite when I first read it at around age In a similar way, its unorthodox stylistic features and narrative structure informed my own half-assed attempts at being a writer in the mid-to-late 90s.

Returning to the book at age 40, I'm less sure of its greatness even if I still have a positive response to it. I'm willing to keep the five star rating out of nostalgia and personal connection even if I can acknowledge that I wouldn't have rated it so highly if I'd read it now for the first time.

The style can be a little tedious. Those long laundry lists of 70s pop culture expressed as a series of sentence fragment noun phrases.

The flat characterization. The deus ex machina plot resolution. The utter cynicism. It all adds up something intriguing but less than transcendent.

I hope people will still discover the book at age 20 and try on a smug, nihilistic worldview for a few years, and, for that possibility alone, I'm glad to have read it and returned to it twenty years later.

What I love about this book is its unsentimental view of suburban turmoil and discontent--that phrase "all is not what it seems" I love to see played out in literature so much.

One immediate difference with Moody's story though, is that he offers What I love about this book is its unsentimental view of suburban turmoil and discontent--that phrase "all is not what it seems" I love to see played out in literature so much.

One immediate difference with Moody's story though, is that he offers the point of view of the equally complicated children in these families, giving a fresh new dimension to an otherwise old tale.

Sometimes humorous, sometimes sad, but painfully accurate. All in all, I gotta say I'm disappointed.

That's why I'm giving this book such a mediocre review- something I rarely do for books. I love how it dealt with these "slice of life" moments in the lives of these four family members, and how they coalesced around their indescretions with a neighbor family.

Paul, the son who was least involved in this inter-familial deceit he lived at boarding school and spent the majority of the book at a friend's apartment far away in New York All in all, I gotta say I'm disappointed.

Paul, the son who was least involved in this inter-familial deceit he lived at boarding school and spent the majority of the book at a friend's apartment far away in New York, was the obvious choice for narrator.

I like how they did it in the movie- Paul's fleeting but poigniant overtures to the plot progression, plus the crispness and unspokenness of the action.

It's just such a beautiful, compelling look into the life of this family without hitting you over the head with "what it all means" or "what's coming next.

Paragraphs upon paragraphs of dialogue- even the truncuated sentences were too rambly and unbelievable. Way too much stream-of-consciousness and breaking away from the plot to reminsce over the Conneticut landscape from the train or disjointed childhood memories thta I had to ask myself, continuously, what's important here?

And why should I care? Which is shocking enough in itself since, as a writer, I am usually far more interested in character development than plot!

But the characters themselves were similarly hollow. The whole book kinda read as a rambly encyclopedia for s culture, and the Hoods were mere outcroppings of popular trends.

They barely had distinctive voices at all. Paul and Wendy, the brother and sister, had nearly identical sexual experiences down to the specifics of what acts they performed on which gender.

Each of them came equipped with these trivia deviations- paragraphs thrown into their narratives as if Moody was writing a poorly-constructed essay on counterculture, whether it was about the Paul's heroes, the Fantastic Four, Wendy's favorite television programs, or Elena's psychology book finds.

There were occasional moments of insight within all of the hubris, plus my love for the movie characters that make me give the book props.

I also am an advocate for exploring sexual themes in books- but they should be beliveable. People may be influenced by the culture of the day, absolutely, but ultimately, their choices should be their own, and not read like some sort of sterilized "example" of whatever theme the author is trying to prove.

Maybe this book is too long. Maybe the other reviewers are correct that Rick Moody's scrupulous attention to 70s pop culture overwhelms his ability to tell a good story.

Maybe I know, and like, Ang Lee's movie adaptation too well. Whatever the case, my mind wandered an awful lot while I was trying to read The Ice Storm , a book I first admired but didn't like and then didn't admire or like all that much.

Three of my wandering thoughts: 1. The Ice Storm tells the story of a typical day in the life o Maybe this book is too long.

The Ice Storm tells the story of a typical day in the life of Panem's capitol city. Recently, I read Catching Fire , which depicts scenes of the same kind of extravagance and immorality that drives the characters in this book.

Only, there isn't a Katniss to critique and seek revenge. There are only clueless, self-destructive, privileged people in tasteless clothes.

I wasn't prepared for the sex. Seriously, there is a lot of it, it is graphic, and it is between adults only about half of the time.

The book is supposed to satirize icy suburbanites, so I guess the fact that they all have terrible, embarrassing, violent sex never with their own partners is a reminder of the cultivated class's inability to form or enjoy human relationships.

On one hand, I think Moody could have made this point without so many references to thirteen-year-old Wendy's vagina and pubic hair.

On the other, I appreciated some of the vintage terminology. Kevin Kline is a lot better-looking than Benjamin Hood is supposed to be.

More broadly, I think the adult characters are warmer, more relatable and rounded, in the movie. Here is maybe the problem with all the pop cultural references and the pages and pages of dry Fantastic Four summary.

The movie cuts a lot of that out, and Kline, Joan Allen, and Sigourney Weaver are better actors than Moody's characters deserve. In the last chapter, the author shares a few revelations.

One of these is that the books' characters are as bound to history and helpless in its wake as are the people at the "front" of history, like Nixon.

This is fairly banal as last-act revelations go, but it lets us know that Moody has aspired to write a book in the vein of, say, Doctorow's Ragtime that interprets history by combining fictional and nonfictional characters.

He doesn't exactly fail at this, but he is more interested in white U. American pop culture than what I would call "history", and, like I said, my mind wandered Nov 14, R.

A strange beast: it's Rabbit Angstrom fanfiction. Was overly creeped out by the key party scene. A solid 4. I read this book after developing a feverous obsession with Ang Lee's film adaptation, and was engulfed by this novel as quickly and completely as the film.

Moody's prose is readable, personal, humorous and unrelenting, propelling you deeper and deeper in the lives and minds of two suburban families in The novel aches almost from the get go, eventually crescendoing into a poised but agonizing wail of pain.

Tho A solid 4. Those looking for a quick, tragic read will have that urge thoroughly satisfied with this novel. I don't recall actually reading this but I know that I watched the movie and that I used to live with a copy of this book back when I was actually reading books like all teh time so I'm pretty sure I read it but cannot recall anything, in part because if I actually did read this book, I did not realize that I had seen the film adaptation until much much later, it being one of those sorts of movies one watched in secret.

Loved every word. Had no idea Moody was this good. Will be reading more of him. Very jealous of his talent. With its pristine, white picket fence image and sometimes hellacious underbelly, the suburban lifestyle easily lends itself to ridicule.

These mediums have followed and even help set a common contention in the Uni With its pristine, white picket fence image and sometimes hellacious underbelly, the suburban lifestyle easily lends itself to ridicule.

These mediums have followed and even help set a common contention in the United States that the suburbs are filled with secretive, deceitful, sexually repressed people who strive to appear that they are more put together than everyone else around them.

With cleverly crafted bluntness, Moody wastes no time in knocking down the gates of the white picket fence mentality of the Hoods.

The book is narrated by Paul, an awkward, sexually frustrated young man on the cusp of adulthood who is away at school while his family is melting down, but his viewpoint is just one of four similar voices that Moody uses to tell this suburban tale.

These characters are emotionally damaged from the get-go, as they are all presented overwhelmingly lonely in a culture where feelings are made to be suppressed and people are forced to put on smiles.

Despite Ben and Paul being perverts, Moody is able to turn them into sympathetic figures. There is true sorrow witnessing the members of the Hood family drowning as they pretend to lead a normal life in a judgmental neighborhood.

Moody creates a deflating picture of the family through his vibrant imagery. Moody carefully navigates his way through the story, frequently using foreshadowing to allude to impending doom for the Hoods and Williamses as a blizzard metaphorical and literal approaches.

It was a moment in the story that Moody admits, was hard to craft, but eventually propelled Moody into becoming a more complete writer.

In some ways Moody is obvious in his writing and in others he is discrete. But Moody must be commended for the tone of his novel.

His narration of the book is bittersweet as he blasts the unfortunate souls of suburbia for their pretentiousness, but he also shows pity on two families who were led down the wrong path by a standard that society set for them.

A popular home for wealthy commuting New Yorkers since the advent of the railroad in , its population more than doubled between and from 8, to 17, as a result of its position at the centre of the modern architectural design movement from the late s to the s when a group of Havard students moved to the town and built around 80 to modern homes.

Other famous architects including Frank Lloyd Wright also built houses in the town. The Ice Storm is set following that population boom in and focuses on two suburban middle-class families typical of the time and place, with lengthy descriptions of their New Canaan modern homes replete with cornerless plastic furniture, high fidelity sound systems and water-beds.

Today the town is one of the most affluent communities in the United States in New Canaan was ranked first in the nation with the highest median family income.

The town has also served as a popular shooting location for New England-set films, with the adaptations of Revolutionary Road, Stepford Wives and The Ice Storm which shows several of the modern homes of the period inside and out all being at least partly shot in New Canaan.

I haven't seen the film in a long while and whilst I remember admiring it I can definitely say I enjoyed the book more.

This is obviously something that would have been very hard to transfer to film, not being able to enter the thoughts of the characters though some voice-over narration is used , and as a result Ang Lee clearly decided to play up the more sombre, melodramatic and tragic elements of the plot.

Text taken from my aborted project to read 50 books set in 50 states in 50 weeks. Apr 03, judy-b. Not until I saw the movie, when I had a little better understanding of the world, did I feel the depth of the social commentary.

The first time, these characters were vivid, because they are so pointedly depicted, but not real. Much like Madame Bovary exists in another dimension of time and context, so did these characters, because when I first read it I was too young and too working class.

The '70s disturbed me. I was in primary school, and I felt the tension of the sexual revolution without realizing it, through two extremes: one one end, my parents' disapproval of social liberalism—they were staunch Democrats but disapproved of pretty much the whole culture and society, excepting Walter Cronkite and Lawrence Welk—and on the other, the neighbors whose parents had a waterbed, a mirrored ceiling, and pictures from Playboy and Playgirl on the walls, which both intrigued and confused me.

My parents' fear and resentment plus the TV news of war and terrorism and economic recession plus the soundtrack of that time, which for me is epitomized in The Doors, plus my family's unique dysfunction, made for a profound unsettlement within me that somehow came into clearer focus when I re-read this book.

When I was a kid, I thought that if my family had money, or if my parents weren't so authoritarian and restrictive, we would be happier.

One of the lessons of this book is that no, we'd just have been unhappy in a different way. Blindly following someone else's mores—no matter what they are—is a path to ruin.

I have always loved Rick Moody's sentences, and there were places in the Ice Storm that I realize still resonate in my own crafting of lines.

That was wild to see. I knew the Ring of Brightest Angels in Heaven had deeply affected me, because I read it at a time when it spoke to and for a darkness I felt within; I felt a kinship with the author, and when I read Demonology, I felt a hope for myself, that I might also make something bright of my shadows.

It was a treat to revisit this novel and see a certain path I took through his work and how that, in some way, has guided me in mine.

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