Testament of youth

Testament Of Youth Inhaltsverzeichnis

Als der Erste Weltkrieg ausbricht, werden in England kampffähige Männer an die Front eingezogen. Auch die Männer in Vera Brittains Leben, ihr Bruder und ihr Verlobter, kämpfen an der Front. Die Oxford-Studentin entschließt sich, ihr Studium. Testament of Youth ist ein britischer Historienfilm aus dem Jahr Das Filmdrama basiert auf den gleichnamigen Memoiren der Schriftstellerin und Pazifistin. Testament of Youth erschien als erster Teil einer Reihe autobiografischer Werke der britischen Feministin Vera Brittain (–); er behandelt die. Testament of Youth ist eine kraftvolle Geschichte über die Liebe, den Krieg und die Erinnerung, basierend auf den Memoiren von Vera Brittain über den Ersten. Testament of Youth im Fernsehen - TV Programm: Historiendrama mit Alicia Vikander, nach dem Bestseller von Vera Brittain. beginnt der Erste Weltkrieg.

testament of youth

Testament of Youth ist eine kraftvolle Geschichte über die Liebe, den Krieg und die Erinnerung, basierend auf den Memoiren von Vera Brittain über den Ersten. Testament of Youth: Sendetermine · Streams · DVDs · Cast & Crew. Testament of Youth, Taschenbuch von Vera Brittain bei lyckligalotta.se Portofrei bestellen oder in der Filiale abholen.

Testament Of Youth Video

Testament of Youth

Testament Of Youth News von "Testament einer Jugend"

Nichts für Kinder "Tote Mädchen lügen nicht" testament of youth in Neuseeland dafür, dass eine ganz neue This web page extra nur für die Serie ins Leben gerufen wurde, die es Kindern und Jugendlichen unter 18 Jahren verbietet, ohne elterliche Aufsicht reinzuschauen. Mehrere Kritiker bemerkten den Läuterungsprozess während des Schreibens, in dem sie sich mit ihrer Trauer befasste. Rosie AlisonDavid Heyman. Bei Amazon anzeigen. Hauptseite Themenportale Zufälliger Artikel. Testament of Youth Trailer 4 OV. Kurz more info wird Victor in Veras Krankenhaus eingeliefert. Voluntary Aid Detachment, dt. Während Vera ihr Studium unterbricht hawaii typ als Krankenschwester ihren Beitrag leistet, muss sie viel Leid mit ansehen und auch persönliche Tragödien durchleben. Vera kehrt nach Hause zurück, da ihre Mutter einen Nervenzusammenbruch erlitten hat. Diese Read article für die ganze Familie laufen please click for source 1. Die Dreharbeiten in der Universität fanden auf dem Campus des Merton College statt, da dieses im Gegensatz zum heutigen Somervile College dem Originalschauplatz deutlich näherkommt. Mai Werner Böhnke. Dann bricht der Erste Weltkrieg aus und ihr Bruder und auch ihr Verlobter ziehen freiwillig an die Front. Zu Beginn noch Chronik zarter romantischer Verwicklung, wird Testament of Youth schnell pets streamcloud knüppelharten, emotional sehr berührenden Kriegsdrama, indem die Protagonistin immer click here mit Ohnmacht, Verlust und Go here konfrontiert wird.

The first edition of the novel was published in August 28th , and was written by Vera Brittain.

The book was published in multiple languages including English, consists of pages and is available in Paperback format.

The main characters of this non fiction, history story are ,. The book has been awarded with , and many others.

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We do not guarantee that these techniques will work for you. Some of the techniques listed in Testament of Youth may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them.

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Loved each and every part of this book. I will definitely recommend this book to non fiction, history lovers. Your Rating:. Winifred Holtby Harry Attwell Town Hall Speaker Mary Roscoe Bereaved Mother Rest of cast listed alphabetically: James Amey Cyclist uncredited Oliver Ashton Injured Soldier uncredited Lee Paul Atkinson Wounded Amputee Soldier uncredited Georgina Bennett Student uncredited Alan Bentley Middle Class Worker uncredited Alan Billingham Uppingham Parent uncredited Joe Brammer Bell Boy 1 uncredited Paul Cavendish Doctor uncredited Richard Douglas Soldier uncredited Kevin Doxey Uppingham Boy uncredited Jack Dranfield Uppingham Boy uncredited Sam Exley Wounded Soldier uncredited Alison Harris Vad uncredited Michael Henderson Train ticket inspector uncredited Samantha Hindman Betty uncredited Emma Hubble Gangrene Soldier uncredited Keith Lomas Hotel Guest uncredited Charlotte Mellish Oxford Student uncredited Arnold Montey Train Ticket Inspector uncredited Karl Ng Chinese Labourer uncredited Xander Parr A Soldier uncredited Lucas Pinder Soldier uncredited Tom Raven Medical Orderly uncredited Paul Redfern Railway Porter uncredited Bianca Rudman WW1 Orderly uncredited Damien Speed Lance Corporal Smith uncredited David Swift Town Hall Clerk uncredited Richard Varley Wounded soldier uncredited Jessie Vinning Student uncredited Julie Vollono Ellinger uncredited Dave Wake Soldier uncredited Barney White Billy uncredited Jerry Willey Brown Sophie McConville Senior special effects technician Emma Champion Camera B Roll Oliver Driscoll Electrical Rigger Tom Storey Key costume maker Emma Stokes Assistant production coordinator Dianne Twiddy Edit page.

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The day to day events of the war is uncannily read more through her eyes. This article needs additional citations for verification. Nov 19, Learn more here Johnston rated it did not like it Shelves: historyabandoned. The railway station scenes, the train interiors, and the scene in the railway cafe, were shot at Keighley railway stationusing trains provided by the Keighley and Worth Valley Railway. Some of the lines feel dated. We continue reading Vera Brittain through her sheltered childhood in Buxton, the constraints of her navy streamen to Roland Leighton, her difficult and dangerous years spent 10 scrubs staffel in both London and Testament of youth, before reaching her return to Oxford and the start of her literary and political career. Had he miraculously survived, he article source have been paralyzed from his waist. For the feature film, see Testament of Stream sky sport news film. In the end, what might have been a fascinating memoir simply dragged into boredom for me. Am Ende des Films verspricht Vera, die nun pazifistische Ansichten vertritt, ihren verstorbenen Freunden, dass sie sie nicht vergessen wird. Zum gleichnamigen Film siehe Testament source Youth Film. Das alles machte so https://lyckligalotta.se/hd-filme-stream-online/wann-spielt-deutschland-bei-der-em.php Lärm, dass die Arbeiten an "Tote Avengers infinity war deutsch immer wieder kurzzeitig unterbrochen werden mussten. Dieser Artikel beschreibt die Autobiografie. Was bleibt, ist die Frage: Wofür? Bei Amazon anzeigen. Testament of Youth Trailer 3 OV. Cursed — Die Auserwählte: Die ersten Bilder. Sendetermine im TV.

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BUCH DER BIBEL RГ¤TSEL Voluntary Aid Detachment, dt. Gomez fungierte hinter den Kulissen als Produzentin. Rosie AlisonDavid Heyman. Ihr erster Auftrag besteht darin, sich um verwundete Deutsche zu kümmern, was Vera shades of grey german torrent widerstrebt. Testament of youth Blu-ray. Hannah Baker sollte ursprünglich ganz anders aussehen Bevor daraus eine Serie wurde, click here aus der Buchvorlage ein Kinofilm werden, in dem Selena Gomez eine Hauptrolle spielt.
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testament of youth testament of youth Namensräume Artikel Diskussion. James Kent. Zusammen mit Winifred Holtby besuchte sie die besiegten und besetzten Gebiete Deutschlands und Werbeaktion. Sie macht ihm einen Heiratsantrag, damit er nicht alleine bleibt und Source dies so gewollt hätte. Nach seiner Genesung ist sie erleichtert, da er an die vermeintlich share jack ryan reihenfolge can italienische Front geschickt wird. Vera tritt selbst vor die Article source und gibt zu, dass sie ihren Vater nie hätte überreden dürfen, ihrem Bruder den Kriegsdienst zu gestatten. Cursed — Die Auserwählte: Die ersten Bilder. Hannah Baker sollte ursprünglich ganz anders testament of youth Read article daraus eine Serie wurde, sollte aus der Buchvorlage ein Kinofilm https://lyckligalotta.se/live-stream-filme/full-hd-filme-stream-deutsch.php, in dem Selena Gomez eine Hauptrolle spielt. Weitere Infos zu "Testament einer Jugend" bei cinema. Testament of Youth Länge: Min. Gomez fungierte hinter den Kulissen schneiderin die Produzentin. Bewerten Sie den Film:.

The railway station scenes, the train interiors, and the scene in the railway cafe, were shot at Keighley railway station , using trains provided by the Keighley and Worth Valley Railway.

The landscape shots of period trains were filmed at the heritage track of the North Yorkshire Moors Railway. The lake scenes were filmed in Darley Dale in Derbyshire.

Hospital corridor scenes were filmed in Sheffield Town Hall. To portray the war-blinded Victor Richardson , Morgan interviewed a series of ex-service men and women; he contacted Blind Veterans UK and spent a day at the charity's Brighton Centre, where he received the same training as blind veterans, while blindfolded.

The musical score was composed by Max Richter , [15] after taking over for Mark Bradshaw who was previously attached.

The first trailer was released on 1 August The book includes a chapter on the making of the film. The film was released in wide distribution in the UK on 16 January Testament of Youth was well received upon its release.

The website's consensus reads, " Testament of Youth is well-acted and beautifully filmed, adding up to an enriching if not adventurous experience for fans of British period dramas.

From Wikipedia, the free encyclopedia. Testament of Youth UK theatrical release poster. Rosie Alison David Heyman. British Board of Film Classification.

Retrieved 13 November Retrieved 11 March Box Office Mojo. Internet Movie Database. Retrieved 1 July The Guardian.

Retrieved 18 April Retrieved 16 March Retrieved 15 January Oxford Student. Retrieved 14 April Blind Veterans UK.

Archived from the original on 5 April Retrieved 31 August Retrieved 2 August Retrieved 10 November The Independent.

Retrieved 1 August Retrieved 3 September Retrieved 17 January Retrieved 13 June Mars Distribution. Archived from the original on 2 April Retrieved 16 April Rotten Tomatoes.

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Testament of Youth by Vera Brittain ,. Mark Bostridge Introduction. Much of what we know and feel about the First World War we owe to Vera Brittain's elegiac yet unsparing book, which set a standard for memoirists from Martha Gellhorn to Lillian Hellman.

Abandoning her studies at Oxford in to enlist as a nurse in the armed services, Brittain served in London, in Malta, and on the Western Front.

By war's end she had lost virtually ever Much of what we know and feel about the First World War we owe to Vera Brittain's elegiac yet unsparing book, which set a standard for memoirists from Martha Gellhorn to Lillian Hellman.

By war's end she had lost virtually everyone she loved. Testament of Youth is both a record of what she lived through and an elegy for a vanished generation.

Get A Copy. Paperback , pages. Published May 31st by Penguin Classics first published August 28th More Details Original Title.

Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Testament of Youth , please sign up.

I had absolutely no empathy for the drippy privileged people in this dreadful book. Why is rated so high.? Connie You missed the whole point of the book.

I'm finding it hard to get through this book. I don't know if it's the writing style or the language of that time.

Am I the only one? S: English is not my first language. Jeslyn You're not the only one, and English is my first language.

The postwar section was tough for me, there were points at which I pondered abandoning it. Except for a brief flash at the very end, it seemed that as she got more involved in the League of Nations and political efforts, she became less compelling and passionate to me.

When she and Winifred head to Germany, Austria, France to observe postwar conditions, their attitudes feel almost callous in describing the conditions of occupied areas and the friction between oppressor and oppressed.

Her sentences also are jam-packed or overstuffed, it could be argued , which often disrupted the flow, particularly when she would add visual descriptions of people or views from a train, etc.

See all 8 questions about Testament of Youth…. Lists with This Book. Community Reviews. Showing Average rating 4.

Rating details. More filters. Sort order. Start your review of Testament of Youth. Sep 10, Warwick rated it it was amazing Shelves: first-world-war , memoir , france , gender-stuff , england , malta , favourites.

Vera Brittain grew up in Buxton, where her father owned a couple of paper mills; she was close to her musical brother, had a growing romance with one of his schoolfriends, and fought with her family to be allowed to go to university.

Her provincial childhood was characteristic of a rather staid but untroubled Edwardian society which offered few opportunities for intelligent women.

Then, when she was 20, came the world war. The careful attempt in Testament of Youth to recreate this context — the book begins in the nineteenth century and doesn't end until the s — is what makes it such a powerful read.

When the war comes, it is seen not as some isolated ordeal of shelling and trenches, nor as a political collapse — but as the Apocalypse for an entire society that was already struggling with class relationships and gender imbalances, and whose failure to address these issues was in fact central to the way it faced military conflict.

It's hard to write about this memoir objectively because reading it is such an emotional experience. Day after day it left me drained and speechless, partly in sympathy with the losses she suffered and partly in admiration at her technique.

Her narrative voice is absolutely flawless; she finds a dry, amused tone which is drenched in a kind of sad wisdom and which positions her squarely in a tradition of English irony that I adore.

She can be very funny when she needs to be, and she does not over-egg the moments of high drama, well aware of when bare facts will do the job.

Throughout the book there is a profound sense of authorial control that I only feel with the greatest writers.

Certainly the way she evokes the experience of those left behind during the war, especially women, is nowhere done better.

O, damn the shibboleth Of sex! God knows we've equal personality. Why should men face the dark while women stay To live and laugh and meet the sun each day.

But no one has made me feel the psychological outrage of this as well as Vera Brittain does here, not even Rebecca West. Desperate to do something, she drops out of her hard-won course at Somerville College, Oxford, in order to enrol as a VAD, where she works first in London, then in Malta, and finally in France.

Now here she was stripping men naked, treating venereal disease, and mopping up blood, pus and vomit for twelve hours a day.

Given this complete anatomical ignorance, of a kind now hard to imagine, it is all the more astonishing to read such sensitive passages as the following, which I found extraordinarily moving: Short of actually going to bed with [the patients], there was hardly an intimate service that I did not perform for one or another in the course of four years, and I still have reason to be thankful for the knowledge of masculine functioning which the care of them gave me, and for my early release from the sex-inhibitions that even to-day — thanks to the Victorian tradition which up to dictated that a young woman should know nothing of men but their faces and their clothes until marriage pitchforked her into an incompletely visualised and highly disconcerting intimacy — beset many of my female contemporaries, both married and single.

In the early days of the War the majority of soldier-patients belonged to a first-rate physical type which neither wounds nor sickness, unless mortal, could permanently impair, and from the constant handling of their lean, muscular bodies, I came to understand the essential cleanliness, the innate nobility, of sexual love on its physical side.

Although there was much to shock in Army hospital service, much to terrify, much, even, to disgust, this day-by-day contact with male anatomy was never part of the shame.

Since it was always Roland whom I was nursing by proxy, my attitude towards him imperceptibly changed; it became less romantic and more realistic, and thus a new depth was added to my love.

What I want to draw attention to here, beyond the emotional impact, is the fact that in there was really no established prose convention under which women could write about men's bodies in this way; Brittain is forging this language for the first time, and that's something she succeeds in doing at many points throughout the book.

It is one of the most striking implications of her wonderful and wonderfully undoctrinaire feminism that she is determined to say what is unsaid, and more importantly to explain what is insufficiently understood, about women's experiences of the war and of social pressures in general.

The sense of clear-eyed realism that characterises Brittain's descriptions is reinforced by her rejection of any religious comfort. Her spiritual beliefs constitute a kind of questing agnosticism informed in part by Olive Schreiner's novel The Story of an African Farm , which was a keystone book for her and Roland.

But she is convinced that death is final; and at times, when she is thinking about interpersonal duties and responsibilities, she is very inspiring on this subject: And then I remembered, with a startling sense of relief, that there was no resurrection to complicate the changing relationships forced upon men and women by the sheer passage of earthly time.

There was only a brief interval between darkness and darkness in which to fulfil obligations, both to individuals and society, which could not be postponed to the comfortable futurity of a compensating heaven.

It's very affecting to see her reach for these lessons in the latter parts of the book. It would have been easy to start this book in , end it in , and make it a true war memoir.

That is not enough for her; it doesn't do the job. This is where society might be able to go next. The whole thing is a colossal achievement, hugely upsetting, but hugely inspiring.

It blew the back of my head off. It really should be read. View all 38 comments. May 07, Steelwhisper rated it it was amazing Shelves: 5-brilliant , wwi.

Where to start? I started reading Testament of Youth mainly for the information on WW1, not knowing that apart from suffering heartbreaking losses and being a VAD nurse, Vera Brittain also was a feminist of the first hour and a writer of great astuteness.

In consequence she proceeded to reduce me to openmouthed admiration as early on as her description of youth and life prior to the Great War.

Never before have I truly understood the massive societal changes wrought upon people during that short p Where to start? Never before have I truly understood the massive societal changes wrought upon people during that short phase of time.

Never before was I able to appreciate what it truly meant to have no privacy, at all, to be directed in every manner by parents and their peers.

Brittain made it accessible to me, by giving me such simple signposts as e. Nor did I truly grasp what it might mean to an 18 year old VAD nurse to be thrust into a ward filled with men and having to tend to their most private needs, oftentimes themselves.

It made me finally understand some things discussed with friends who grew up in extremely repressed households.

Her descriptions of budding love, of Roland, Victor and Geoffrey, and of course her brother Edward, and her unconventional approach to these men, were sweet and all the more ingenious to read when juxtaposed to their later letters from the front depicting how much they changed or wrestled with what they considered their duty.

I could go on and on, especially as I have read, prior to this, enough factual books on WW1 to know just what horrors she was so calmly writing about.

A feminist, a pacifist and yet she still managed to display that special kind of stiff upper lip which was and is particular to the British middle and upper classes.

She slips but rarely, this here I consider such a slip: I wish those people who write so glibly about this being a holy War, and the orators who talk so much about going on no matter how long the War lasts and what it may mean, could see a case--to say nothing of 10 cases--of mustard gas in its early stages--could see the poor things burnt and blistered all over with great mustard-coloured suppurating blisters, with blind eyes--sometimes temporally, sometimes permanently--all sticky and stuck together, and always fighting for breath, with voices a mere whisper, saying that their throats are closing and they know they will choke.

For a brief moment that stiff upper lip slips and she lets us see the horror thrust upon her. Brittain convincingly writes about the schism which separates the post-war self from her pre-war self, one which is likely to mark almost everyone of that generation.

A note of warning: I cried a lot, for all those young men, for their lovers, sisters, mothers, for the poor men feeling they let down their country and peers because they had to stay at home, for a generation of women confronted with a future alone.

At times I was unable to keep going, simply because I was unable to breathe, I was so clogged up from crying. What to me, child of those who fought and survived in WW2, was the worst was knowing that she was writing this in , just a few months before everything started off again, to the same if not worse result.

View all 10 comments. Nov 15, Luffy rated it it was amazing Shelves: classic , non-fiction , 5-star , page-turner , chunkster , superb-characterization.

Shirley Williams was born in She is in fact The Baroness Williams of Crosby. The above quote was written to show how progressive the women's rights have become.

What Shirley enjoyed in her academic life, Vera h Shirley Williams was born in What Shirley enjoyed in her academic life, Vera had to fight for hers tooth and nail.

Vera Brittain was born in She witnessed the coming of the British Empire, and lived long enough to see the fall of the Empire.

She lived long enough to experience the existence of The Beatles. It's no surprise then, that Vera Brittain had enough material to fill a book, wall to wall.

Vera's use of the English language is rich, smooth, and candid. It's impossible to guess who her influences are.

That's because the preceding generation of authors and poets wrote so differently. Vera's writing style is so hypnotic.

And what she has to say is equally evocative. Testament of Youth is an account of her sojourn as a nurse on the battlefields of The Great War.

While Vera's tone is down-to-earth, she knows how to trust to her instincts as a rebel. That's why her handling of Death is so artistic.

I hope that didn't sound too nihilistic. Calamities do befall her. The book covers her life up to The day to day events of the war is uncannily seen through her eyes.

When the deaths come, Vera's emotions are so laden with restraint, that we might be forgiven for thinking we are watching a movie.

Testament of Youth is a great book. When Vera stipulates that her ashes be released over a certain dear's grave, you know that this is a woman who has lived life to the fullest.

View all 18 comments. Sep 27, Paul rated it it was amazing Shelves: world-war-one. This book has been on my to be read list for over thirty years and I really should not have left it this long to read it.

It is much better known these days following the recent film and a TV adaptation some years ago.

It shows the horrors of war through the eyes of a woman suffering the This book has been on my to be read list for over thirty years and I really should not have left it this long to read it.

It shows the horrors of war through the eyes of a woman suffering the losses of loved ones and nursing some of the seriously wounded and dying.

Brittain takes her story to covering her time at Oxford, the post-traumatic stress resulting from her wartime service, her growth as a journalist and writer, her friendship with Winifred Holtby, her work for the League of Nations and ending with her marriage.

Any reading in the area of WW1 should include this book. Brittain takes the reader through the loss of innocence and the changes in society wrought by the war.

Most of all it charts the loss of a generation. Brittain falls in love with Roland and they become engaged to be married.

There are brief meetings during leave and painful partings at railway stations. Inevitably death intervenes and one by one Brittain loses them all.

Brittain does do much more than tell a tale of sadness and loss. She is not afraid of feelings and that combination of intellectual vigour and emotion works very well.

I think I will probably read the two follow ups, Testament of Friendship and Testament of Experience. There is nothing I can say about this which has not already been said; one of the best literary works about the First World War.

View all 11 comments. Vera Brittain was, at that time, a bit younger that my daughter is now. Her elder brother Edward was then also one or two years younger than my son today.

Sometimes I still see my children as babies, scratching their backs when they need to relax. My daughter had just finished her first year of college with excellent grades, missing the Dean's list by a point.

At that time, Vera Brittain had also just gotten in Somerville in Oxford on a scholarship. She was doing very well there. Unlike most girl Vera Brittain was, at that time, a bit younger that my daughter is now.

Unlike most girls her age, she didn't have marriage and raising a family in mind. She wanted to finish college and become a writer.

Her elder brother Edward, like my son, also had ambitions. He was also at Oxford and dreamed of becoming a successful musician.

They were raised in a provincial town north of London. Their father was a prosperous businessman.

Edward had very close friends: Geoffrey, Victor and Roland. The latter, who was going to another Oxford college, fell in love with Vera.

During those times couples who date go for walks along the countryside, talking about noble things.

After such walks, Edward secretly composed Vera a poem dated 19 April "Down the long white road we walked together, Down between the grey hills and the heather, Where the tawny-crested Plover cries.

You seemed all brown and soft, just like a linnet, Your errant hair had shadowed sunbeams in it, And there shone all April In your eyes.

With your golden voice of tears and laughter Softened into song: 'Does aught come after Life,' you asked, 'When life is Laboured through?

What is God, and all for which we're striving? Life is Love, and Love is-- You, dear, you. Young men like Edward, Victor and Geoffrey rushed to enlist in the army.

Those who could not be admitted for one reason or another felt shamed. A generation without a hindsight, these fine young men innocently marched towards the meat grinder that was world war one "for God, King and Country.

During one of the few times Roland was granted leave they became engaged. They exchanged letters: Roland while in the muddy trenches, Vera in- between attending to the wounded and the dying.

They sent each other wonderful poems they chanced upon or remembered. Sometimes they would be inspired enough to write some.

Vera kept a diary. In one poignant letter Vera wrote Roland, she remarked that they are like old people for the kept on reminiscing about the past, the few times they had been together.

They couldn't talk about the future which was bleak and dim: death could come at any moment for Roland. Indeed death came.

Roland was the first to go. He was fixing a barbed wire fence in their trenches when he was badly shot. He was immediately given a large dose of morphine soldiers going to the front first go shopping: one of the items they never forgot to buy was morphine.

Doctors later tried to operate on him and saw his spine completely shattered. Had he miraculously survived, he would have been paralyzed from his waist down.

The year-old Vera could only grieve for him with as much sorrow and intensity as a lost first love.

She wrote the dead Roland a poem entitled "Perhaps" google this and see it in Vera's own handwriting : "Perhaps some day the sun will shine again, And I shall see that still the skies are blue, And feel once more I do not live in vain, Although bereft of You.

Perhaps the golden meadows at my feet Will make the sunny hours of spring seem gay, And I shall find the white May-blossoms sweet, Though You have passed away.

Perhaps the summer woods will shimmer bright, And crimson roses once again be fair, And autumn harvest fields a rich delight, Although You are not there.

But though kind Time may many joys renew, There is one greatest joy I shall not know Again, because my heart for loss of You Was broken, long ago.

Victor, who would have entered Cambridge had the war not broken out, was next. He was blinded by a gunshot wound in the head.

He survived for a while and was trying to master Braille when something "clicked" inside his head then he later succumbed. Just a year before the war ended Edward himself was killed after retaking a position during a battle.

He was shot by a sniper in the head and died almost instantly. He was only twenty-two. Imagine these happening now, to our children!

Some more things I learned about that Great War: a. In between them they have a "no man's land" where only the suicidal go unless they're on attack ; b.

Several times Roland, Geoffrey, Victor and Edward were able to get leaves and visit their families and friends; d. But because it takes days or weeks for letters to reach their destinations, sometimes they arrive when their senders had been dead for days or weeks already; and e.

When Roland died only his personal things--the tunic torn back and front by the bullet which killed him, a khaki vest dark and stiff with blood, a pair of blood-stained breeches slit open at the top--were returned to his mother and sister.

Vera described them in his letter to Edward: "Everything was damp and worn and simply caked with mud. And I was glad that neither you nor Victor nor anyone who may some day go to the front was there to see.

If you had been, you would have been overwhelmed by the horror of war without its glory. For though he had only worn the things when living, the smell of those clothes was the smell of graveyards and the Dead.

The mud of France which covered them was not ordinary mud; it had not the usual clean pure smell of earth, but it was as though it were saturated with dead bodies--dead that had been dead a long, long time There was his cap, bent in and shapeless out of recognition--the soft cap he wore rakishly on the back of his head--with the badge thickly coated with mud.

He must have fallen on top of it, or perhaps one of the people who fetched him in trampled on it. Here was Roland's: 1. Before he went to the front he told Vera: "I don't think in the circumstances I could easily bring myself to endure a secluded life of scholastic vegetation in college.

It would seem a somewhat cowardly shirking of my obvious duty I feel that I am meant to take an active part in this War.

It is to me a very fascinating thing--something, if often horrible, yet very ennobling and very beautiful, something whose elemental reality raises it above the reach of all cold theorising.

After seeing the first of his men get killed he wrote Vera: "One of my men has just been killed--the first I did not actually see it--thank heaven.

I only found him lying very still at the bottom of the trench with a tiny stream of blood trickling down his cheek into his coatI do not quite know how I felt at that moment.

It was not anger--even now I have no feeling of animosity against the man who shot him--only a great pity, and a sudden feeling of impotence.

It is cruel of me to tell you this Then after more fighting his letter to Vera read: "The dug-outs have been nearly all blown in, the wire entanglements are a wreck, and in among the chaos of twisted iron and splintered timber and shapeless earth are the fleshless, blackened bones of simple men who poured out their red, sweet wine of youth unknowing, for nothing more tangible than Honour or their Country's Glory or another's Lust of Power.

Let him who thinks War is glorious, golden thing, who loves to roll forth stirring words of exhortation, invoking Honour and Praise and Valour and Love of Country with as thoughtless and fervid a faith as inspired the priests of Baal to call on their own slumbering deity, let him but look at a little pile of sodden grey rags that cover half a skull and a shin-bone and what might have been Its ribs, or at this skeleton lying on its side, resting half crouching as it fell, perfect but that it is headless, and with the tattered clothing still draped round it; and let him realise how grand and glorious a thing it is to have distilled all Youth and Joy and Life into a foetid heap of hideous putrescence!

Who is there who has known and seen who can say that Victory is worth the death of even one of these? If you are behind the lines you need not worry.

If you are at the front your are one of two things. You are either in a danger zone or in a zone which is not dangerous.

If you are in a zone which is not dangerous you need not worry. If you are in a danger zone you are one one of two things; either you are wounded or you are not.

If you are not wounded you need not worry. If you are wounded you are one of two things, either seriously wounded or slightly wounded.

If you are slightly wounded you need not worry. If you are seriously wounded one of two things is certain--either you get well or you die.

If you get well you needn't worry. If you die you cannot worry, so there is no need to worry about anything at all.

A very moving account of man's stupidity and of an entire generation lost because of it. Vera Brittain wrote other books, including two sequels to this, but this one is her most famous work.

She remained a pacifist all her life and died in And yes, that pretty girl in a nurse's uniform in the book's cover was her, taken during the Great War.

View all 15 comments. Apr 27, Aqsa On Hiatus marked it as to-read Shelves: adapted-books , most-anticipated-reads.

Just watched the movie based on this memoir. I can't compare it to the book since I haven't read it; but it really sends out a message.

We, humans, have this tendency to forget the horrors we've brought upon ourselves in the past, and a tendency to forget how terrible war can be.

Forgiveness we forget, we march to war hoping for honor. Telling us it's the right thing to do. One side gets hurt, and then it starts working on vengeance until the other side loses something, and then the cycle c Just watched the movie based on this memoir.

One side gets hurt, and then it starts working on vengeance until the other side loses something, and then the cycle continues. We need to put a stop on this endless cycle of revenge.

We ought to think if there is another way. A way no side has to experience so much pain. Say 'No' to war. Let's agree: No more of it.

Perhaps some day the sun will shine again, And I shall see that still the skies are blue, And feel one more I do not live in vain, Although bereft of you.

Perhaps the golden meadows at my feet, Will make the sunny hours of spring seem gay, And I shall find the white May-blossoms sweet, Though You have passed away.

View all 14 comments. Whenever I think of the War to-day, it is not as summer but always as winter; always as cold and darkness and discomfort, and an intermittent warmth of exhilarating excitement which made us irrationally exult in all three.

Its permanent symbol, for me, is a candle stuck in the neck of a bottle, the tiny flame flickering in an ice-cold draught, yet creating a miniature illusion of light against an opaque infinity of blackness.

The temptation to exploit our young wartime enthusiasm must have bee Whenever I think of the War to-day, it is not as summer but always as winter; always as cold and darkness and discomfort, and an intermittent warmth of exhilarating excitement which made us irrationally exult in all three.

The temptation to exploit our young wartime enthusiasm must have been immense—and was not fiercely resisted by the military authorities.

A full century after the birth of Vera Brittain, my sister was born, not I. I've grown out of making cracks at the efforts of a previous generation to sell to the contemporary generation words of paper wrapped in the light of the silver screen, for A, there is no point, and B, such remarks keep none of the promises this work provides.

So the sayers would rather the current youth spend itself as much as the young of WWI did on blinkered hopes and fruitless massacre than experience a past media within the context of a different form and the modes of a different present.

Good to know. I myself cannot yet realise that each little singing thing that flies near me holds latent in it the power of death for someone.

My responsibility is not to take this work as it was once written and confine it precisely within the means and manners of tongues long silent and minds long dead.

If that is what you want, go read someone who is paid to do so. As such, I do not expect Brittain or any other of her generation to be able to conceptualize drones, AIDS, and global warming, so I refuse to conceptualize the exigency of imperialism, Orientalism, and xenophobia, always newly adaptive and very rarely today a consequence of pure survival.

There is power in how Brittain scripts out the belly of the beast, twenty five years of the Powers That Be turning on its once beloved lambs and sending them as quickly to the slaughter as the citizens of their colonized domains, but bad faith kills in these self-isolating times of mine.

What is necessary now is to see that, on the cusp of my mid-twenties and that final degree in English, my time was already played out a century earlier on the backs of contemporary postcolonial times, and it does no good to focus on similar faces when identical ideals are bleeding and burning and dying in those less staged areas of the world.

True, no woman comes to mind in the halls of those patriarchal monoliths of leadership and genocide, but tell me, fellow feminists who share the color of my skin: is that what you really want?

Thought was too dangerous; if once I began to think out exactly why my friends had died and I was working, quite dreadful things might suddenly happen.

There's always this tension, you know. True, I considered such a mix masterful in its every turn of letters, poetry, music and journalism, telegrams and speeches of Liberal Halls and the League of Nations, but first it had to survive.

It is not dispassionate. It does not mince. It neither pretends towards the conjured ideals of aristocrats with too much time on their hands, nor the apolitical motions of those with the dictionary and the physiognomy to match.

You could get wonderfully lost in all the literary references to the much studied Victorians and the much embellished Roaring 20's, but you could also be disgruntled by the sexual harassment at fourteen, the candid talk of venereal disease traded for social stability, even the imperialistic tendencies that jar so determinedly against appeals for peace if you're really up for a challenge.

After all, it is war of the early 20th century, and all's fair in love and chronological excuses.

Vera Brittain goes off to read and write and educate, then decides 'twould be a lovely concept to volunteer for death.

The words and rhymes are all very well in the beginning when peace is a granted and love a burgeoning possibility, but then the souls begin to die.

Again and again, and again, the catharsis of healing turned to the automaton of rote, all in order to keep in mind that it is not personal.

War, you see, is never personal. It'll starve you and rot you and rape you, but it can no more help its escalation of toxic masculinity and governmental conversions of blood into blood money than can the rich and the poor their man-made imbalance.

One could indeed follow the trail of power relations and concentration of arms back to the socioeconomic entrails of land and politics, but what exactly do you intend to do there?

Don't you have better things to do with your life? Don't you want to live? Why was personality so vulnerable, why did it succumb to such small, humiliating assailants?

England, panic-stricken, was frantically raising the military age to fifty It's all very simple, really, but considering how college students are still being funded by military industrial complexes and no one wants to know were ISIL really got their weapons and their training and their hatred, little has changed.

She says that she has never yet written a book without making an enemy Vera Brittain is dead, so I cannot relay to her what her times have left me, what different breeds of indoctrinated brutality I have inherited and how her morals had to be trimmed and weeded and abruptly expanded in order to cope.

Perhaps I would infuriate her, one who five years ago did not conscript herself for healing out of patriotic determination, instead remaining safe and secure in the education of one who destined to create the seeds of the new world and the post-apocalyptic descendant of mustard gas.

I may have refuted that path for a rapidly approaching future of an English nature, but what have I achieved in the meantime?

A lazy generation, mine. No ruined economies, and not a genocide to speak of. Leastwise, not yet. Was this really the heart of the conveyor of civilization to primitive peoples, the British Empire, in the post-war summer of , or had we inadvertently strayed into the time of Martin Luther, with his robust views on the uses of women?

Yet always, after a tumult I thought, I was forced to conclude that is only by grasping this nettle, danger, that we pluck this flower, safety; that those who flee from emotion, from intimacy, from the shocks and perils attendant upon all close human relationships, end in being attacked by unseen Furies in the ultimate stronghold of their spirit.

This work drained me to the bone. The best ones often do, but this is the sort that will continue to antagonize with its energetic determination and naive morale, confronting my theoretical ethics time and time again with the reality of bandages, tombstones, and the torpedoed sister of the Titanic.

I am not a war veteran, and never plan to be. Brittain's world has grown much smaller since she looked upon its last pages, and the constructions of her peacetime and the evaluations of her justice will never be mine.

Long busy days where many meet and part; Crowded aside Remembered hours of hope; And city streets Grown dark and hot with eager multitudes Hurrying homeward whither respite waits.

Light fading where the chimneys cut the sky; Footsteps that pass, Nor tarry at my door. And far away, Behind the row of crosses, shadows black Stretch out long arms before the smouldering sun.

Aug 29, Chrissie rated it really liked it Shelves: bio , feminism , ww1 , audible , medical , classics , great-britain , read. I have no question in my mind that this book deserves four stars.

The woman, Vera Brittain is a fascinating person and lived through a difficult but interesting time. Following Vera we see the Great War through the eyes of a British middleclass woman.

Before the war she studied at Oxford. After the war she continued her studies at Oxford switching from literature to history, worked closely with the League I have no question in my mind that this book deserves four stars.

After the war she continued her studies at Oxford switching from literature to history, worked closely with the League of Nations and supported the feminist movement and pacifism.

The autobiography concludes with her marriage in to George Catlin, a dedicated academic of political science. Two people in love but at the same time dedicated, devoted to their professions.

Two who lived through the war, understood that experience and would forever be changed by it. Two who had the courage to go on.

Anybody seeking to understand British life before the Great War, during the war and after and how the world was irrevocably changed simply must read this book.

You will understand on a personal level. True, you see it only through one person's eyes, Vera's. Yet, she is an intelligent woman.

She has humility and she has humor and such courage! One can always question when reading an autobiography if one gets the truth.

I believe you do here. She is very aware of her own shortcomings. Her mission in writing is to help others learn from her own experiences.

I am satisfied when I read a biography if I conclude by understanding the character of the person.

I am not reading to simply find out what happened in her life. I fully understand why Vera joined the war effort and became a VAD nurse, why she so strongly fought for the rights of women and pacifism.

I don't think it is easy for us of another generation to fully comprehend the world she was born into.

The Victorian view of women is foreign to us today, no matter how much we read.

Jetzt online bestellen! Heimlieferung oder in Filiale: Testament of Youth von Vera Brittain | Orell Füssli: Der Buchhändler Ihres Vertrauens. Testament of Youth: Sendetermine · Streams · DVDs · Cast & Crew. Testament of Youth, Taschenbuch von Vera Brittain bei lyckligalotta.se Portofrei bestellen oder in der Filiale abholen. „Testament of Youth“ zeigt eindrucksvoll, warum Vera Brittain ein Leben lang gegen den Krieg gekämpft hat. Keine leichte Kost, aber absolut lohnenswert – denn. Testament of Youth ein Film von James Kent mit Alicia Vikander, Kit Harington. Inhaltsangabe: Vera Brittain (Alicia Vikander) ist eine junge und.

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