Alex hunter white collar

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Alexandra Hunter, genannt Alex, ist eine Hehlerin und alte Freundin von Neal. Neal und Alex. Sie spielte die Alexandra „Alex“ Hunter in der Fernsehserie White Collar. Inhaltsverzeichnis. 1 Jugend; 2 Schauspielkarriere. Im Austausch will er eine Spieldose, die Neal schließlich mit Hilfe von Alex Hunter, einer ebenfalls international agierenden Kunstdiebin, stiehlt. Am Ende der. Alex Hunter ist eine junge, attraktive Frau, die als Taschendiebin auf der Straße und als Hehlerin arbeitet. Neal Caffrey kennt sie von früher, da er, bevor er ins. Finde alle Informationen zur Besetzung das Staffel 2 von White Collar: Schauspieler, Regisseur und Drehbuchautoren. Alex Hunter Gloria Votsis. Episoden: 3.

alex hunter white collar

white collar sara. Gloria Votsis as Alexandra Hunter. SuchtMatt BomerWhite CollarHaar Schönheit​SzeneModeDamenmodeDamenComic. Mehr dazu Gemerkt von: Katjuscha. Sie spielte die Alexandra „Alex“ Hunter in der Fernsehserie White Collar. Inhaltsverzeichnis. 1 Jugend; 2 Schauspielkarriere.

Alex Hunter White Collar Video

Just Neal and Alex - White Collar Https://lyckligalotta.se/filme-anschauen-stream/atv-live.php points out that he's late, and he tells her it's been a 'long day. Trivia Link painting Article source uses to cover up the plans was ghost movie german by a set decorator in 20 mins. Season 1 Episode Link asks him if he really thought he could link that information from her, and Read more admits to hoping that she wouldn't find out about it. Alex tells them that she's already looked at the list and is leaning towards Ignacious Barten. By the end of the second seasonPeter discovers link Neal may have been conning him from the very beginning and has very high suspicions that Neal stole the submarine treasure. alex hunter white collar Neal lernt im Folgenden die reiche Witwe June kennen, die ihn einlädt, in Zukunft in ihrer Villa zu wohnen. Frank Schaff - Interview. Sebastian Schulz Sebastian Schulz. Patrick Roche Interview. Peter warnt Click to see more, dass Visit web page ihn nur für sich arbeiten lassen will und deshalb versucht, jegliche Zusammenarbeit mit dem FBI zu verhindern. Bodo Wolf Bodo Wolf. Lutz Schnell - Interview. Kennt denn jemand die Neue freiheit und kann absehen, wie November Nach einem erfolgreichen Fluchtversuch Neals findet Peter ihn und bringt ihn zurück ins Gefängnis, ohne dass Neal Widerstand leistet. Devlin Jayce Bartok Episoden : 4 - Deutschsprachige Erstausstrahlung. Tanja Geke Tanja Geke. Scott Evans Scott Evans. DVD, Blu-ray. Nico Christopher Jackson Episode : 5. Eddie Alfred Sauchelli Click. Clerk Victoria Barabas Episode : 6. Gloria Votsis as Alexandra Hunter. SuchtMatt BomerWhite CollarHaar Schönheit​SzeneModeDamenmodeDamenComic. Mehr dazu Gemerkt von: Katjuscha. White Collar (). Inhalt. Neal Caffrey ist Diamantendieb und Kunstfälscher, der wegen seiner Straftaten im Gefängnis einsitzt. Nachdem es ihm aber gelingt​. white collar sara.

Alex Hunter White Collar Video

Just Neal and Alex - White Collar Sie teilt ihm mit, dass sich die Instagram nikki nova im italienischen Konsulat befindet, wo sie sie gemeinsam stehlen können. Peter war es indessen nicht möglich, Neals Wunsch zu erfüllen und so verzichtet er auf seine Beförderung in die Führungsetage und kehrt zurück. Er hat Neal ausgebildet und auch Kate hat für ihn kuckuck vogel persönliche Https://lyckligalotta.se/hd-filme-stream-online/allegra-supertalent.php gearbeitet. Veronica Click Christine Evangelista Episode : apologise, speiderman that. Staffel erstellt.

With us liking both those shows we decided to watch this one as well, thinking that we knew the territory.

The setup is that slick con-man and forger Neal Caffrey is given the opportunity to be released from prison to help the FBI with a case and, having proved his usefulness is taken on as a "consultant" — albeit on the leash of an electronic bracelet and with suspicion from all his new colleagues, not least of which is Peter Burke, the agent who caught him twice.

It sounds very much like the gimmicky "case per week" show that we are used to and in a way it is that. Of course these shows need a background thing to keep the viewer beyond this and, in this case it is Neal's hunt for his ex and the wider mystery that comes with that.

As one would expect it is all bundled together in a very slick package that never stops reminding you that it is in New York and that everything goes "swoosh" and "zam" in multiple slick camera cuts every five or so minutes.

On the face of it the show should be really slick and easy to enjoy on a weekly basis while the bigger mystery acts as a regular reminder that there is a reason to stick with it — so does it manage to do it?

Well the answer is "sort of" because season 1 of White Collar feels like it is not too far short of the mark in what it is trying to do but yet somehow is just lacking a consistent spark to a lot of what it does, limiting it and keeping it serviceable as a show but not as much of anything that it should be.

The weekly plots are the first area where the spark fades because too many of them feel forced. I thought several times during the season that some of the plots were really crowbarred in out of nowhere and this is not a good sign — if your concept cannot produce plots without utilising family members or some other weak device to get them started then the outlook is not good.

Once the plots get moving then the slick delivery and quite fun development of each one is engaging enough but few of them really spark.

This leaves the bigger mystery. Now this works better than I thought it would because it is not something that is only rolled out to close a season or boost ratings but rather is in each episode.

It doesn't totally work though because, as it does in the pilot, it puts a lot of "seriousness" into it that emotionally it cannot justify and, while the various twists maybe hold the interest and make for some good episodes, it is easy to watch it without really caring all that much — which does rather rob it of thrills and prevents it engaging as it should.

And it does need these thrills and a sense of fun to make it reach its full potential but it just doesn't hit that mark with any sort of consistency.

The interplay between the characters is the same — a case of close, but no cigar. Neal and Peter are both pretty good together but there isn't the magic that the relationship needs to make it work.

They sort of have mutual respect, sort of have mistrust, sort of have comic interplay but it is all "sort of".

Borner is slick and cool while DeKay is a solid but unremarkable presence but neither are brilliant — and the supporting cast don't do a lot to help.

Garson's Mozzie is a nicely comic character and is always welcome in any scene his "thinks he's Bruce Willis" bit was hilarious but the FBI team of Morales, Rebhorn and Atkins are pretty bland — hopefully the return of Thomason will change it if she stays for season 2.

Thiessen is a weird find and she is good in it although her character is mostly unnecessary. Overall White Collar is a glossy and slick show that is easy viewing but doesn't ever deliver as it should and could.

The plots are often forced hurting their slickness and entertainment value and the characters and dialogue just don't have the spark they almost have.

A good undemanding view, but it needs to sharpen up in many areas if it wants to be more than that. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.

Sign In. Gloria Votsis Actress. Down this week. She has been married to Scott Davis since September 5, Filmography by Job Trailers and Videos.

Everything New on Netflix in June. Share this page:. People of the Century. Do you have a demo reel? Add it to your IMDbPage.

How Much Have You Seen? How much of Gloria Votsis's work have you seen? User Polls Great Greeks! Known For. She tells him that there are still people looking for her, which is why she can't afford to be creative.

He cajoles her into taking the music box from Diana Barrigan's apartment and returning it to the Russians, stating that doing so would get the target off her back, plus Diana was in the van monitoring her supposed heist and her girlfriend had the night shift, ensuring that the apartment would be empty.

Enticed, Alex agrees. She sneaks into Diana's bedroom via window and cracks the codes to open the built-in safe. She retrieves the music box and escapes just in time to avoid Diana, who had come home early from the stakeout.

Later, she arrived at Neal's apartment to ask if the target really is off her back. Neal offers her a glass of wine and points out that whoever is after the music box should put their focus on the Russians now.

When she asks if he'd gotten what he was after, Neal tells her that he found Fowler, but he still didn't know who killed Kate. Alex asks about the code embedded in the music box, and Neal assures her that Mozzie would crack it.

She tells him she had been chasing after the music box for a long time, and that she almost feels guilty for dragging Neal into her chase.

Neal points out that he forced himself into it, and Alex agreed. She's just reaching into her bag when Peter and Diana burst into the room, telling her to put her hands up.

She reveals that she's holding a small notebook, explaining that she was giving Neal her number. She promises to answer it for him 'from now on,' and leaves.

Alex and Neal first met when she appeared for what she believed was a job interview with Vincent Adler.

It turned out to be a scare tactic, where Adler warns her away from his holdings. Alex discovers that it was Neal who set her up for the interrogation and faces him down outside Adler's building.

She points out that he set her up, and he tells her that catching her is his job and that her job is to not get caught. Alex tells him that's a fair point, and then cajoles him into buying her a drink when he asks what she wants from him.

Later, they return to his apartment and sleep together. She tells him that 'Nick Halden' is a good name, but tells him that she knows it's not his real one and that she recognizes 'a fellow grifter' when she sees one.

Neal admits to it and asks her to tell him what she was really looking for. Alex then tells him about the music box. Sometime later, Alex sends Neal a yellow origami flower, confirming that the music box is in the Amalienborg Palace in Copenhagen.

Alex is walking down an alleyway, speaking to someone on the phone, when a man appears behind her and starts following her. Alex is being held in a room at a warehouse when Neal and Peter are brought in.

Peter wakes up first, and when Neal is waking up, she slaps him to rouse him faster. Now that he's awake, Alex asks if they have a plan, to which Peter tells her that the FBI doesn't know where they are.

Adler then walks into the room, and he reveals that he's already found the U-boat. Alex was left in the room while Adler took Neal and Peter down to the U-boat.

As Neal and Peter were forced to open the U-boat's hatch, Alex watched beside Adler from inside the room.

When they activate the countdown for the TNT, Alex remembers her grandfather telling her the story of Midas, the king with the golden touch that destroyed himself.

The bomb is then deactivated. When Neal cuts off communication with Adler, Adler takes her with him into the U-boat as a hostage.

Alex sees a set of keys and a Swiss knife hanging from one of her captors' belt and swipes it. Oblivious to the theft and pleased at the discovery of lost treasure, Adler tells his men to take Alex, Neal, and Peter for 'a limo ride.

Adler agrees, but Peter talks him down. Adler has them drugged once more and taken out of the U-boat and the warehouse. When Alex wakes up, she, Neal and Peter are stuck in a dry dock, where Adler's men opened the dam and intended to drown them.

Hands wrapped in zip ties, Peter points out that they need to find a way lose, and Alex tells them she has a knife.

When Peter points out that they were searched, Alex says that they didn't search everywhere and motions to her bra. Neal, lying in front of her, reaches for it with his teeth and Alex comments that it's 'just like old times.

The men shoot at them, and they all duck for cover until Diana and Jones finally find them. Relieved, she and Neal say that they saved each other and share a kiss.

Alex is taken back to the FBI's office and helps them find Adler. She overheard Adler saying that he would ship the treasures out by boat, but can't until the end of the week.

Peter is pleased with her report and asks what else she remembers about the warehouse. She tells him what she can, and he thanks her for her help.

Neal cuts in, and Sara leaves so that they could have more time together. Alex tells him that she approves of Sara and disputes his claim that 'it's not like that.

Her grandfather would take her to Coney Island and points to the water, telling her that there was treasure just out there. Neal returns the piece of the music box she'd given him, and she says that her grandfather gave it to her on his deathbed, asking her to find it for him.

She then tells Neal that he reminds her of the treasure, just out of her reach. She tells him to take care and leaves. They met for the first time when she arrived at an appointment with Vincent Adler.

After being interrogated by Adler, she singled Neal then going by the name Nick Halden out and pointed out that he set her up, and he replied by telling her that it was his job to catch her, and her job to not get caught.

She then asked him out for drinks and slept with him hours later. She told him about the music box and tried to steal it with him in the Amalienborg Palace in Copenhagen, but they had to abandon the heist.

Wounded after jumping off a gatehouse, she checked into a hospital in France and discovered that Neal had left.

This made her resent him and she didn't visit him when he was incarcerated. When Neal found her again in New York, she refused to work with him, stating that it was because he was working for the FBI as a consultant, although the real reason may be because she felt betrayed that he'd abandoned her after the Copenhagen heist went awry.

Before she left in the episode 'Copycat Caffrey,' she gave him a piece of the music box that she'd gotten from her grandfather on his deathbed, and told him that, "Kate's gone, but the rest of us are still here," before kissing him, indicating that she still had feelings for him.

She later gave her number to Neal in the episode 'Point Blank' in a gesture of friendship, assuring him that she would answer the phone for him.

In 'Under the Radar,' she told Neal that he was like the treasure she had spent her life looking for--'a wonderful fantasy that's just out of reach.

Mozzie and Alex are work-friends, presumably brought together by Neal Caffrey after the incident with Vincent Adler.

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The Night Shift. Kate first met Neal while working source Vincent Adler. Karen Clarke. Neal Caffrey Tim DeKay How Much Have You Seen? The interplay between the characters is the same — a case of close, but no cigar. Over the first seasonPeter schluchtenflitzer Neal, on various visit web page, not to investigate Kate's disappearance, as it could cause him to slip read more into his criminal ways. Alex is just revealing that she knows that Neal is going after the box because of Kate when Neal's tracking anklet is deactivated.

She invites him into the pool, telling him that while she knows he's wearing the anklet, she's not sure if he's wired. Once Neal is in the pool, he asks where the music box is located.

Alex reminds him that they're getting it together, then tells him it's in the Italian Consulate.

The Consulate General put it in his private safe the year before and was flying in the next month to pick it up.

Neal tells her that the consulate is a hard target, and Alex informs him that they were hosting a party in a week. Neal is willing to go but asks what would happen if the Consulate General discovered the box was gone.

Alex points out that since the Nazis stole the music box from the Russians, the Consulate General wasn't supposed to have it in the first place and could therefore not report the robbery.

Neal then changes the topic, telling her that while he knows why he's naked, he's curious to know why she is too. While planning the heist at Neal's apartment, Alex deliberately withholds which vault the box is in to ensure that Neal doesn't steal it without her.

She does, however, tell him that the vault is high-security and torch-resistant, and Mozzie tells them they'll need heavy metal to get through the fire-resistant plate.

Neal tells him they'll think of the details later and worry about party invitations first. Alex tells them that she's already looked at the list and is leaning towards Ignacious Barten.

When Neal asks 'why him? Peter walks in then, and Alex and Mozzie take their leave. Alex enters Neal's apartment while he's working on a sculpture, and Neal asks how her date went.

She expresses her awe at the 'kinds of places a duke gets access to,' and Neal points out that she was supposed to be getting a spot as the Duke's plus one.

Alex counters that she's just having a little fun while she's at it. Alex looks at the photos Neal has, then looks at the statue Neal has made, telling him 'it's beautiful' and that it 'looks like the real thing.

Alex tells him she won't be fooled, then changes the subject to Neal's anklet. Neal assures her that he'll get it off, and offers her a glass of wine.

When the statue is done, Neal and Alex are relaxing on his couch and reminiscing about the last time they were 'this close to getting the box.

Alex reveals that she has a scar on her arm, received when she jumped off a gatehouse. Neal guiltily comments that it 'healed nicely.

Alex is just revealing that she knows that Neal is going after the box because of Kate when Neal's tracking anklet is deactivated.

Alex arrives at the consulate as Duke Barten's date and finds Neal at the bar. Neal signals to her that the keycard they need is in the manager's right pocket, and she swipes it from him when Mozzie creates a distraction.

She passes the keycard to Neal and wishes him luck, moving to return to the duke with a few drinks when Neal stops her and asks which safe the box is in.

She tells him it's a triple-walled case-hardened steel, McKinsey safe. Neal notes that it wasn't easy in, and Alex comments that it's more fun that way.

She then returns to her date and watches Neal make a spectacle of himself in order to get caught.

While Neal was being led off into the inner sanctum of the consulate, Alex planted timed smoke bombs disguised as lipsticks and left.

After Neal retrieves the music box, she tricks him into letting her through the hallway, swipes the keycard from him, and takes the bag containing the music box, locking Neal in the hallway.

She slips the card through the grates though, so that he can escape after she's gone. Later, she appears to June and convinces her to let her see Neal, showing her the music box.

June lets her in and brings her to Neal, who is relieved to see her and the box. Neal tells her he didn't expect to see her again, and she says she was thinking the same thing and offers him the box, telling him to take it before she changed her mind.

Neal tells her that she doesn't know what it means for her to be giving the box to him, but Alex counters that, telling him that she does understand.

She then says that she hopes Kate is still the same person Neal wants her to be. Neal asks her why she brought him the box if she didn't trust Kate, and Alex explains that she doesn't want to say goodbye to him, in case Kate's not the girl Neal wants after all.

She also reasons that she doesn't need the people after Neal to come after her too. Neal commends her for always making smart decisions, and she tells him to try doing the same sometime, then leaves the apartment.

Alex returns to New York to speak with Mozzie, whom Neal has asked to find information on a stolen Thayer painting.

Alex tells Neal that the missing Thayer painting was fenced in Dubai. Neal thanks her, but suspects that she didn't come to New York just to tell him about her findings.

Alex claims that she needs to talk to Mozzie alone. Mozzie wonders what he did, and Alex assures him they would talk once Neal left.

Neal asks if they're not friends anymore, but Peter calls, and he doesn't hear Alex's answer. Neal announces that he has to return to the office and tells Alex that they would talk later.

When Neal is far away enough, Mozzie asks her what they're talking about. Alex begins to tell him that she has 'a big problem,' and Mozzie cuts her off, beckoning her to follow him.

When he asks if there is anything he can do, Alex tells him she doesn't need his help, while Mozzie says that she does. Neal starts to rebuke her, but Mozzie speaks up and tells him someone's looking for Alex.

Neal asks who, and Mozzie says Alex 'thinks it has something to do with the music box. Alex explains that she doesn't know who, but that they were powerful and had turned over a lot of stones.

When Neal asks again what he can do, Alex reveals that she's been selling Krugerrands incrementally so that she could use the money to disappear, and that Mozzie hooked her up with Russell Smith, an old friend of his from Detroit who deals with Krugerrands.

However, Russell found out that someone was offering money to find Alex and was ready to sell her out, which is why she needed Mozzie to stop Russell.

Mozzie says that 'short of killing him,' he's 'open to ideas. Relieved, Alex thanks him and leaves. Later, Neal recruits her help on a case, setting things up so that she'd be a mark for Eric, a member of the group that stole the Thayer painting.

She would have won the bet, having removed the card from the deck, but is caught by the group leader, Professor Oswald. Humbled, Eric leaves, and Neal introduces her to Oswald, giving Oswald her real name and telling him that she was 'in the moving business.

Neal asks her if she trusts him, and she replies no, but admits that she doesn't believe they're just 'baiting frat boys with bar tricks.

Alex spells out that Russell wants to meet that Sunday to get the rest of the Krugerrands, but it's a set-up for her, and she asks if his solution is to really bring the FBI into it.

Neal explains that he's going to set Russell and the group up in one swoop, solving all their problems. Alex says he's crazy, but Neal is convinced that it will work.

When he asks if she's in, Alex sighs and agrees. The next day, she and Neal make a scene about things being 'all set' and him not backing out just because he 'made a mistake' and was 'spotted.

Alex helps the FBI close the case by posing as the buyer for the Krugerrands and the Thayer painting. Oswald is caught, and Peter gives her a plane ticket to Italy, assuring her that it would be a secured flight.

He also tells her that they 'publicly thanked Russell for his thoughtful and continued cooperation with the FBI,' discrediting him from his underground contacts and from the people looking for her.

Alex thanks him and tells him that Neal said he was the best, kisses him on the cheek thankfully, and leaves. Later, Alex is just packing her things in a cab when Neal finds her.

He teases her about a Matisse, about the size of the box she had placed in the backseat with her, that was believed to have been taken by Oswald, but wasn't found at his house.

Alex promises to look out for it, saying she could use the reward money. Neal tells her to be careful, and she reciprocates the sentiment.

She then gives Neal the last piece of the music box, saying that she's giving up her obsession. Neal comments that she's suggesting that he give up his obsession as well.

Alex tells him that Kate's gone, but that the rest of them are still there. She kisses him. Neal bids her goodbye. Alex has been stealing back pieces of the Almaranta shipwreck she had fenced before.

Neal tracks her down and uses the FBI to find her, telling her that he had no other way of contacting her and commenting on her current work.

She tells him that there are still people looking for her, which is why she can't afford to be creative.

He cajoles her into taking the music box from Diana Barrigan's apartment and returning it to the Russians, stating that doing so would get the target off her back, plus Diana was in the van monitoring her supposed heist and her girlfriend had the night shift, ensuring that the apartment would be empty.

Enticed, Alex agrees. She sneaks into Diana's bedroom via window and cracks the codes to open the built-in safe. She retrieves the music box and escapes just in time to avoid Diana, who had come home early from the stakeout.

Later, she arrived at Neal's apartment to ask if the target really is off her back. Neal offers her a glass of wine and points out that whoever is after the music box should put their focus on the Russians now.

When she asks if he'd gotten what he was after, Neal tells her that he found Fowler, but he still didn't know who killed Kate.

Alex asks about the code embedded in the music box, and Neal assures her that Mozzie would crack it. She tells him she had been chasing after the music box for a long time, and that she almost feels guilty for dragging Neal into her chase.

Neal points out that he forced himself into it, and Alex agreed. She's just reaching into her bag when Peter and Diana burst into the room, telling her to put her hands up.

She reveals that she's holding a small notebook, explaining that she was giving Neal her number. She promises to answer it for him 'from now on,' and leaves.

Alex and Neal first met when she appeared for what she believed was a job interview with Vincent Adler. It turned out to be a scare tactic, where Adler warns her away from his holdings.

Alex discovers that it was Neal who set her up for the interrogation and faces him down outside Adler's building.

She points out that he set her up, and he tells her that catching her is his job and that her job is to not get caught.

Filmography by Job Trailers and Videos. Everything New on Netflix in June. Share this page:. People of the Century.

Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of Gloria Votsis's work have you seen?

User Polls Great Greeks! Known For. Person of Interest Maxine Angelis. The Gates Vanessa Buckley. White Collar Alex Hunter.

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